Two years ago, Taylor Mac combined eight three-hour shows into a one-off event that saw the performer on stage for a full day. Now...

There is a long and occasionally noble tradition of producers not inviting critics to shows. That is their right. Sometimes, there’s a sensible reason. Tom...

Recently, I’ve attended lots of discussions about the current state of theatre design – from the Society of British Theatre Designers conference about contracts...

Mamzer, a Hebrew word, denotes a person born from a forbidden relationship. Yoel (countertenor Collin Shay) is a timid 21-year-old Hassid. On the night...

Ruth Jones will star in the UK tour of a new comedy The Nightingales, directed by Christopher Luscombe. 
As one of the UK’s best-loved television...

George Williamson’s Embrace is the first product of Birmingham Royal Ballet’s commissioning programme for new works, Ballet Now. It makes for a dramatic opening piece...

The Royal Shakespeare Company has once again become the target of environmental activists, who have staged their largest protest to date against the company's...

The work of Australian company Back to Back Theatre is co-created and performed by actors with learning disabilities. The dizzyingly ambitious Lady Eats Apple...

Edward Johnson is an associate producer at Adam Blanshay Productions, which helped bring Angels in America to Broadway. He tells Giverny Masso about the...

Olivier award-winner Clive Rowe is set to return to the East End this Christmas as he makes his Hackney Empire comeback. Susie McKenna will direct...

Last week, parents working in the West End raised concerns about the potential for evening performances to start earlier, and the knock-on effect this...

Single Spies is, in large part, a deep dive into the culture which produced and protected the  Cambridge spy ring during the Cold War. The...