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National Theatre. Photo: Shutterstock

2% pay rise for writers at Royal Court, National Theatre and Royal Shakespeare Company

Hansel and Gretel review at Open Air Theatre, London – ‘an energetic, feel-good production’

Marina Sirtis. Photo: PND photography

Actor Marina Sirtis: ‘You know you’re an icon when the drag queens start doing you’

Martha Plimpton and Adjoa Andoh to become Bush Theatre artistic associates

Kully Thiarai announces departure from National Theatre Wales

Shaftesbury Avenue in the West End. Photo: Christian Mueller/Shutterstock

West End deal secures 9% pay rise and paves the way for flexible working

Editor's Picks

Interviews

Colin Ingram. Photo: Sean Ebsworth Barnes

Colin Ingram: ‘As a producer, you have to be brilliant for 10 minutes a day’

Jun 18, 2019

Opinion

Catherine Kodicek: We need to take our duty of care to the environment seriously

Jun 18, 2019

News

News

National Theatre. Photo: Shutterstock

2% pay rise for writers at Royal Court, National Theatre and Royal Shakespeare Company

Jun 18, 2019

News

Sunday in the Park With George starring Jake Gyllenhaal to transfer to the West End

Jun 17, 2019

News

Theatres must follow cinema’s example to improve audience experience – ATG boss

Jun 17, 2019

News

Martha Plimpton and Adjoa Andoh to become Bush Theatre artistic associates

Jun 17, 2019

Reviews

Reviews

Strange Fruit review at Bush Theatre, London – ‘an assured and affecting revival’

Jun 18, 2019

Reviews

Hansel and Gretel review at Open Air Theatre, London – ‘an energetic, feel-good production’

Jun 18, 2019

Reviews

Citysong review at Soho Theatre, London – ‘poignant, lyrical and gorgeously written’

Jun 18, 2019

Reviews

The Children review at Theatre by the Lake, Keswick – ‘a deftly directed production’

Jun 18, 2019

Opinion

Opinion

Catherine Kodicek: We need to take our duty of care to the environment seriously

Jun 18, 2019

Opinion

Nicholas Davies: Kully Thiarai is leaving NTW just as relations with Welsh artists are improving

Jun 17, 2019

Features

Interviews

Colin Ingram. Photo: Sean Ebsworth Barnes

Colin Ingram: ‘As a producer, you have to be brilliant for 10 minutes a day’

Jun 18, 2019

Interviews

Marina Sirtis. Photo: PND photography

Actor Marina Sirtis: ‘You know you’re an icon when the drag queens start doing you’

Jun 18, 2019

Interviews

NT Live director Tony Grech-Smith: ‘The first time I got into the Olivier Theatre, it felt like I’d arrived’

Jun 17, 2019

Obituaries

Franco Zeffirelli. Photo: Alexey Yushenkov

Obituary: Franco Zeffirelli – ‘one of the 20th century’s most acclaimed directors’

Jun 17, 2019

Advice

Advice

How to choose your three-year drama course

Jun 18, 2019

The Green Room

The Green Room: If you could perform in only one writer’s work, whose would it be?

Jun 18, 2019

International

Interviews

Henrik Grimbäck

Director Henrik Grimbäck and the Nordic theatremakers combating funding cuts

Jun 17, 2019

Reviews

The Knight of the Burning Pestle review at Barbican Theatre, London – ‘metatheatrical playfulness’

Jun 7, 2019

Broadway

News

Sunday in the Park With George starring Jake Gyllenhaal to transfer to the West End

Jun 17, 2019

Interviews

Singer Renée Fleming: ‘Music is a form of social cohesion – a way of holding us together’

Jun 11, 2019

In case you missed it

Features

Against all odds: the secrets of how a fringe show makes it to the stage

May 22, 2019

Interviews

Wendell Pierce

Wendell Pierce: ‘Willy Loman is as exhausting a role as Lear. I’m knackered’

May 8, 2019

Interviews

Stage and screen actor Bill Pullman: ‘I trained as a director, but I was too shy – I wasn’t a natural’

May 7, 2019

Opinion

Editor’s View: Help us help young people Get Into Theatre

May 2, 2019

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