Andrew Lloyd Webber is right to worry that Broadway is now financially unviable for producers, says The Stage editor Matthew Hemley, but this has implications for UK producers too
The Mousetrap has been a guaranteed seat-filler for nearly 75 years, but is it time to reassess its right to a prime theatre spot in perpetuity? asks Amanda Parker
Andrew Lloyd Webber is right to worry that Broadway is now financially unviable for producers, says The Stage editor Matthew Hemley, but this has implications for UK producers too
The Stage’s team of critics pick their hot tips for the Edinburgh Fringe and Edinburgh International Festival, from full-scale musicals to genre-blending new work
With a month to go until the start of the 2026 Edinburgh Festival Fringe, Natasha Tripney rounds up some of the most exciting shows previewing around the country in July