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Opinion
Could cinema and theatre regain lost audiences with local collaboration?
by Richard Jordan
The battle both theatre and cinema now face is against convenience. Could they fight it together whilst improving the offering for audiences?, asks producer Richard Jordan
It’s time to champion disabled theatre talent with an inclusive recovery
by Andrew Miller
Scott Rudin claims pose major test for West End
by Alistair Smith
Cutting Phantom’s orchestra to save money dilutes the sumptuous original
by David Benedict
As theatre returns to normal(ish), freelancers deserve better working conditions
by Rob Halliday
Lyn Gardner
Data can help theatre tackle inequality, but beware over-optimistic claims
Touring is theatre’s lifeblood, so we must protect it by supporting freelancers
Don’t give us a break – intervals are an outmoded, unnecessary theatre convention
Honesty is the best policy for critics to help theatre revive and flourish
Amid the joy at theatre’s return, let’s not forget its role in healing grief
One year on, let’s vow to return with greater support for emerging artists
VIEW MORE
David Benedict
Cutting Phantom’s orchestra to save money dilutes the sumptuous original
In the best retellings of Cinderella, the element of surprise stands out
Why do so many newspaper columnists love to hate theatre?
The play’s the thing: why Ian McKellen’s age-blind Hamlet is no gimmick
Dangerous game? Why sports-themed musicals rarely find a winning formula
Will The Time Traveller’s Wife prevent musical theatre history repeating itself?
VIEW MORE
It’s time to champion disabled theatre talent with an inclusive recovery
by Andrew Miller
Scott Rudin claims pose major test for West End
by Alistair Smith
Cutting Phantom’s orchestra to save money dilutes the sumptuous original
by David Benedict
As theatre returns to normal(ish), freelancers deserve better working conditions
by Rob Halliday
Global-majority artists are still hitting the wall – we need to grow our careers
by Stephanie Street
Data can help theatre tackle inequality, but beware over-optimistic claims
by Lyn Gardner
Will Diana musical usher in a new era of stage and screen partnerships?
by Howard Sherman
Vaccine passports could help theatres reopen, but care and clarity are crucial
by Richard Jordan
Too old to play Hamlet? Our long theatre history suggests otherwise
by Stanley Wells
Will the West End’s key players follow Liverpool’s lead to win back audiences?
by Alistair Smith
In the best retellings of Cinderella, the element of surprise stands out
by David Benedict
Touring is theatre’s lifeblood, so we must protect it by supporting freelancers
by Lyn Gardner
Theatre must strive to empower young carers and give them a voice
by Nicky Goulder
Let's unite to recognise the global theatre stars of the pandemic
by Howard Sherman
The 1973 Jesus Christ Superstar film is so good, I watch it religiously
by Richard Jordan
LOAD MORE Opinion
Global-majority artists are still hitting the wall – we need to grow our careers
by Stephanie Street
Data can help theatre tackle inequality, but beware over-optimistic claims
by Lyn Gardner
Will Diana musical usher in a new era of stage and screen partnerships?
by Howard Sherman
Vaccine passports could help theatres reopen, but care and clarity are crucial
by Richard Jordan
LOAD MORE Opinion
The Green Room
Has the pandemic permanently changed the casting process?
How can we make working at night safer for theatre professionals?
What were you doing just before the lockdown last year?
VIEW ALL
Your views
Vaccinations and the burden of proof – your views, April 14
by The Stage
The argument for intervals – your views, April 7
by The Stage
Quote UnQuote
Quotes of the Week, April 14: Rufus Norris, Denise Gough, Andrew Lloyd Webber and more
Quotes of the Week, April 7: Moira Buffini, Nathan Lane, Kate Winslet and more
Quotes of the Week, April 1: Joanna Lumley, David Oyelowo, Tarek Iskander and more
VIEW ALL
Advice
Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'
by John Byrne
How will drama schools operate summer courses in 2021?
by Samantha Marsden
Fight director Kate Waters: 'My first minute in a rehearsal room is the most important part of my day'
by John Byrne
Actor Oliver Dimsdale: ‘I loved every second of my first job’
by John Byrne
Lecturer Vanessa Coffey: ‘I would love intimacy coordinators to become standard practice’
by John Byrne
Head of design Angela Davies: ‘It’s useful to be able to sketch your idea on a serviette’
by John Byrne
Actor Riley Clark: ‘My first job in panto taught me a lot about stamina’
by John Byrne
What are the pros and cons of not going to drama school?
by Samantha Marsden
ShowKids' Natalie Janvrin: 'We need to tell parents about the career benefits of studying drama'
by John Byrne
LOAD MORE Advice
Dear West End Producer
'What is the best way to get a meeting with an agent?'
'What is the current state of our industry?'
‘Why is training important? Most kids spend a fortune and get nothing’
VIEW ALL
Careers Clinic
By John Byrne
What are the best writing competitions to enter?
How do I reach out to casting directors in a year when I haven’t been very productive?
What’s the best way to spruce up my acting CV?
VIEW ALL
Most Read
Across The Stage this week
Phantom of the Opera orchestra to be cut by 50% when it returns to West End
Phantom 'will not return in original form', investors told in November 2020
No intervals, early starts and mask checks: how theatres are preparing to reopen
Edinburgh International Festival 2021 to go ahead with Covid-secure outdoor venues
Scott Rudin claims pose major test for West End
Cutting Phantom’s orchestra to save money dilutes the sumptuous original
To Kill a Mockingbird producer Scott Rudin accused of bullying staff
Edinburgh Fringe confirms return with registration opening in May
Coronavirus: Matthew Bourne productions to be broadcast on TV
New live-performance venue to open on Brighton beach
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