Opinions and Views on the Theatre Industry

The battle both theatre and cinema now face is against convenience. Could they fight it together whilst improving the offering for audiences?, asks producer Richard Jordan

It’s time to champion disabled theatre talent with an inclusive recovery

by Andrew Miller

Scott Rudin claims pose major test for West End

by Alistair Smith

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

by David Benedict

As theatre returns to normal(ish), freelancers deserve better working conditions

by Rob Halliday

Lyn Gardner

Data can help theatre tackle inequality, but beware over-optimistic claims

Touring is theatre’s lifeblood, so we must protect it by supporting freelancers

Don’t give us a break – intervals are an outmoded, unnecessary theatre convention

Honesty is the best policy for critics to help theatre revive and flourish

Amid the joy at theatre’s return, let’s not forget its role in healing grief

One year on, let’s vow to return with greater support for emerging artists

David Benedict

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

In the best retellings of Cinderella, the element of surprise stands out

Why do so many newspaper columnists love to hate theatre?

The play’s the thing: why Ian McKellen’s age-blind Hamlet is no gimmick

Dangerous game? Why sports-themed musicals rarely find a winning formula

Will The Time Traveller’s Wife prevent musical theatre history repeating itself?

It’s time to champion disabled theatre talent with an inclusive recovery

by Andrew Miller

Scott Rudin claims pose major test for West End

by Alistair Smith

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

by David Benedict

As theatre returns to normal(ish), freelancers deserve better working conditions

by Rob Halliday

Global-majority artists are still hitting the wall – we need to grow our careers

by Stephanie Street

Data can help theatre tackle inequality, but beware over-optimistic claims

by Lyn Gardner

Will Diana musical usher in a new era of stage and screen partnerships?

by Howard Sherman

Vaccine passports could help theatres reopen, but care and clarity are crucial

by Richard Jordan

Too old to play Hamlet? Our long theatre history suggests otherwise

by Stanley Wells

Will the West End’s key players follow Liverpool’s lead to win back audiences?

by Alistair Smith

In the best retellings of Cinderella, the element of surprise stands out

by David Benedict

Touring is theatre’s lifeblood, so we must protect it by supporting freelancers

by Lyn Gardner

Theatre must strive to empower young carers and give them a voice

by Nicky Goulder

Let's unite to recognise the global theatre stars of the pandemic

by Howard Sherman

The 1973 Jesus Christ Superstar film is so good, I watch it religiously

by Richard Jordan

Global-majority artists are still hitting the wall – we need to grow our careers

by Stephanie Street

Data can help theatre tackle inequality, but beware over-optimistic claims

by Lyn Gardner

Will Diana musical usher in a new era of stage and screen partnerships?

by Howard Sherman

Vaccine passports could help theatres reopen, but care and clarity are crucial

by Richard Jordan

The Green Room

Has the pandemic permanently changed the casting process?

How can we make working at night safer for theatre professionals?

What were you doing just before the lockdown last year?

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Your views

Vaccinations and the burden of proof – your views, April 14

by The Stage

The argument for intervals – your views, April 7

by The Stage

Quote UnQuote

Quotes of the Week, April 14: Rufus Norris, Denise Gough, Andrew Lloyd Webber and more

Quotes of the Week, April 7: Moira Buffini, Nathan Lane, Kate Winslet and more

Quotes of the Week, April 1: Joanna Lumley, David Oyelowo, Tarek Iskander and more

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Advice

Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'

by John Byrne

How will drama schools operate summer courses in 2021?

by Samantha Marsden

Fight director Kate Waters: 'My first minute in a rehearsal room is the most important part of my day'

by John Byrne

Actor Oliver Dimsdale: ‘I loved every second of my first job’

by John Byrne

Lecturer Vanessa Coffey: ‘I would love intimacy coordinators to become standard practice’

by John Byrne

Head of design Angela Davies: ‘It’s useful to be able to sketch your idea on a serviette’

by John Byrne

Actor Riley Clark: ‘My first job in panto taught me a lot about stamina’

by John Byrne

What are the pros and cons of not going to drama school?

by Samantha Marsden

ShowKids' Natalie Janvrin: 'We need to tell parents about the career benefits of studying drama'

by John Byrne

Dear West End Producer

'What is the best way to get a meeting with an agent?'

'What is the current state of our industry?'

‘Why is training important? Most kids spend a fortune and get nothing’

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Careers Clinic

By John Byrne

What are the best writing competitions to enter?

How do I reach out to casting directors in a year when I haven’t been very productive?

What’s the best way to spruce up my acting CV?

VIEW ALL

Phantom of the Opera orchestra to be cut by 50% when it returns to West End

Phantom 'will not return in original form', investors told in November 2020

No intervals, early starts and mask checks: how theatres are preparing to reopen

Edinburgh International Festival 2021 to go ahead with Covid-secure outdoor venues

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

To Kill a Mockingbird producer Scott Rudin accused of bullying staff

Edinburgh Fringe confirms return with registration opening in May

Coronavirus: Matthew Bourne productions to be broadcast on TV

New live-performance venue to open on Brighton beach

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Dear West End Producer

Careers Clinic

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