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Opinion

Widening access to arts careers at all levels is more vital than ever

by Suzann McLean

The pandemic has exacerbated the lack of diversity in the theatre sector – concerted action is needed for our workforce to become representative of everyone in our society

Michael Balogun’s leading role at the National proves viability of theatre

by Richard Jordan

In these challenging times, we must continue to push for progress

by Amanda Huxtable

Theatre’s adaptability is key – let’s not take it for granted

by Alistair Smith

The Olivier Awards’ biggest challenge has nothing to do with the pandemic

by David Benedict

Lyn Gardner

Digital must not become live theatre’s poorer cousin – audiences need both formats

Small-scale is great, but big shows are key to making theatre accessible

The big test for Culture Recovery Fund winners: will they use it for change?

To end 'jobs for the boys', back schemes that give all freelancers a chance

We need to value theatre for what it does beyond its stages too

Empty seats symbolise lost audiences, but also talent leaving theatre forever

David Benedict

The Olivier Awards’ biggest challenge has nothing to do with the pandemic

Les Misérables lyricist Herbert Kretzmer's words will never die

For those starved of first-rate, one-off dramas, look to BBC’s Play for Today

Arts jobs are viable – it’s the government that’s not

Relic to revelation – how The Boys in the Band came back to play Broadway

Unlike for the Debut Awards nominees, first roles aren’t always auspicious

Michael Balogun’s leading role at the National proves viability of theatre

by Richard Jordan

In these challenging times, we must continue to push for progress

by Amanda Huxtable

Theatre’s adaptability is key – let’s not take it for granted

by Alistair Smith

The Olivier Awards’ biggest challenge has nothing to do with the pandemic

by David Benedict

Oliviers return was welcome but missed the chance for a big statement

by Andrzej Lukowski

Digital must not become live theatre’s poorer cousin – audiences need both formats

by Lyn Gardner

Creatives have proven their mettle this year – who we are isn’t being erased

by Grace Smart

Streaming dispute leaves US union members caught in the middle

by Howard Sherman

These might be the last award ceremonies for a while – may they bring hope for theatre

by Richard Jordan

Theatres must get used to social distancing – it’s what audiences want

by Andrew Ladd

Did ACE have the expertise to decide who received emergency funds?

by Alistair Smith

Les Misérables lyricist Herbert Kretzmer's words will never die

by David Benedict

TV and film depend on theatre’s writers – and this talent needs support

by Stephen Garrett

Small-scale is great, but big shows are key to making theatre accessible

by Lyn Gardner

As theatre begins to renew itself, we must work out how critics engage with it

by Kate Maltby

Oliviers return was welcome but missed the chance for a big statement

by Andrzej Lukowski

Digital must not become live theatre’s poorer cousin – audiences need both formats

by Lyn Gardner

Creatives have proven their mettle this year – who we are isn’t being erased

by Grace Smart

Streaming dispute leaves US union members caught in the middle

by Howard Sherman

The Green Room

Do you think there’s been a change in how the theatre industry is perceived?

What are the best and worst things about drama school?

Is this the right time for theatre to reopen?

VIEW ALL

Your views

Socially distanced theatre won’t work for everyone – Your Views, October 28

by The Stage

Does Culture Recovery Fund signal the end of ‘arm’s length’ funding? – your views, October 21

by The Stage

Quote UnQuote

Quotes of the week, October 28: Miriam-Teak Lee, Deborah Warner, Cassidy Janson and more

Quotes of the week, October 21: Anna-Jane Casey, Dawn French, Roy Williams and more

Quotes of the week, October 14: Tracy Brabin, Yolanda Mercy, Mark Rylance and more

VIEW ALL

Dear West End Producer

‘How crowded can a theatre be? How can customers feel comfortable on their return to theatres?’

‘What careers should budding drama school students retrain for?’

‘Any advice on how someone inexperienced in the industry can weather this storm?'

VIEW ALL

Careers Clinic

By John Byrne

Should I become a social-media influencer?

How can I make the most of online training?

How can I use my musical theatre background to approach screen castings?

VIEW ALL

Olivier Awards 2020: the winners in full

National Theatre to become film studio for Romeo and Juliet screen adaptation

Newcastle Theatre Royal defends decision to offer panto work to third party

Black British Theatre Awards: Winners in full

Full list of performing arts organisations given £1m+ recovery grants

Qdos announces socially distanced pantos in Newcastle and Southampton

The Olivier Awards’ biggest challenge has nothing to do with the pandemic

Almeida Theatre to reopen in December with programme of new work

Remembering Sarah Kane: the poet with a gift for distilled intensity

SOLT and UK Theatre issue guidance for venues in Tiers 2 and 3

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