Immersive

Jobs

Executive Assistant

City: Central London (Charing Cross Road) Salary: Competitive

Wigs, Hair and Make-up Assis...

City: 5th Floor, 65 Chandos Place Salary: In line wit...

Deputy Head of Visitor Opera...

City: ABBA Arena, 1 Pudding Mill Lane, LONDON, E15 2RU Salary: circa £52,000

Head of Learning & Participa...

Salary: Up to £50,000 per annum

Flys Technician

City: London Coliseum Salary: £832.04 per...

Scenic Metalworker, Producti...

City: London WC2E 9DD

Head of Stage

Salary: Competitive

Senior Technician (Sound)

City: Radcliffe Observatory Quarter, Woodstock Road... Salary: £39,424 - £...

Company Manager

City: 99 Upper Ground, London SE1 9PP Salary: £45,000 pa

Production Assistant

Salary: £25k-£30k

Senior Technician (Stage), C...

Salary: Competitive

Stage LX

City: Phoenix Theatre, 110 Charing Cross Road Salary: In line wit...

Deputy Head of Electrics

Salary: Competitive

Lighting Programmer

City: London Coliseum Salary: £882.79 per...

Running Props Technician

City: London Coliseum & other locations as required Salary: £831.16 per...

Jobs

Executive Assistant

City: Central London (Charing Cross Road) Salary: Competitive

Wigs, Hair and Make-up Assis...

City: 5th Floor, 65 Chandos Place Salary: In line wit...

Deputy Head of Visitor Opera...

City: ABBA Arena, 1 Pudding Mill Lane, LONDON, E15 2RU Salary: circa £52,000

Head of Learning & Participa...

Salary: Up to £50,000 per annum

Flys Technician

City: London Coliseum Salary: £832.04 per...

Scenic Metalworker, Producti...

City: London WC2E 9DD

Head of Stage

Salary: Competitive

Senior Technician (Sound)

City: Radcliffe Observatory Quarter, Woodstock Road... Salary: £39,424 - £...

Company Manager

City: 99 Upper Ground, London SE1 9PP Salary: £45,000 pa

Production Assistant

Salary: £25k-£30k

Senior Technician (Stage), C...

Salary: Competitive

Stage LX

City: Phoenix Theatre, 110 Charing Cross Road Salary: In line wit...

Deputy Head of Electrics

Salary: Competitive

Lighting Programmer

City: London Coliseum Salary: £882.79 per...

Running Props Technician

City: London Coliseum & other locations as required Salary: £831.16 per...

“Impressively choreographed plunge into fractured relations”

In Other Worlds review

The Curve, Barbican Centre, London

Artist Liam Young’s immersive, multi-media experience playfully advocates grandiose technologies for our future survival

“Mesmerising”

CHAT NOIR! review

9 Beaumont Avenue, London

“Witty and insightful”

Apple of Discord review

People's Hall, Nottingham

CHAT NOIR! review

9 Beaumont Avenue, London

“Too contrived”

A Christmas Fair review

Chadderton Town Hall, Oldham

“Baggy blend of folklore, cabaret and food”

The Hitchhiker's Guide to the Galaxy review

Riverside Studios, London

“Sultry heat”

The Shop for Mortals and All Fools review

Colab Tower, London

“Electrifies scenes we think we already know”

Grease: The Immersive Movie Musical review

Evolution London, Battersea Park

“Final reveal is worth seeing”

Storehouse review

Deptford Storehouse, London

“Satirical, silly and fast-moving”

Fight for America! review

Stone Nest, London

“Likeable but lacking flair”

Requardt & Rosenberg: Super Normal Extra Natural

Finchley Road O2 Centre, London

“Unique”

Bridge Command review

Arches 63 and 64 Albert Embankment, London

Resources

Useful resources produced by The Stage from throughout the year, plus catch up on the latest episodes of our podcasts.

The Stage Awards 2026: winners in full

The Stage’s Top 50 shows of 2025

Seven Stages Podcast: Episode 8, Es Devlin

Seven Stages Podcast: Episode 7, Paul Chahidi

Seven Stages Podcast: Episode 6, Alan Ayckbourn

Theatre’s greatest strength is that we must experience it together

One of theatre’s supreme attributes is that it provides a collective experience, suggests Lyn Gardner – the opportunity to feel something together

by Amanda Parker

Would it be a crime to kill a sacred cow to free up a West End theatre?

The Mousetrap has been a guaranteed seat-filler for nearly 75 years, but is it time to reassess its right to a prime theatre spot in perpetuity? asks Amanda Parker

Editor's View

Andrew Lloyd Webber is right about Broadway – but the West End could be next

Andrew Lloyd Webber is right to worry that Broadway is now financially unviable for producers, says The Stage editor Matthew Hemley, but this has implications for UK producers too

Making Your Views easier to read – this month in Your Views

Plea to the industry from a returning theatreworker – this month in Your Views

Seven Dials Playhouse warnings ignored – this month in Your Views

Arts education needs investment, not ‘ruthless’ funding – this month in Your Views

Your subscription helps ensure our journalism can continue

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The Stage Interview

The Stage talks in depth to movers and shakers from across the industry

Julian Bird

Chief executive, Society of London Theatre/UK Theatre

Nancy Carroll

Actor

“There needs to be an amount of terror”

As dreamthinkspeak presents its latest show Unchain Me at the Brighton Festival, its artistic director and co-director of this year’s event tells us about the piece being rooted in the here and now, and why he has no interest in site-specific ‘tourism’

“Our job is to make memories the audience will never forget”

Tom Maller

Director

“I want to create work that leaves you spinning”

Felix Barrett

Artistic director

Sutton Foster

Performer

Akram Khan

Choreographer

Michael Pennington

Actor, director and writer

Lynette Linton

Director and writer

Michael Sheen

Actor and artistic director

Annilese Miskimmon

Artistic director

Michael Sheen

Actor and artistic director

Annilese Miskimmon

Artistic director

Lynette Linton

Director and writer

Akram Khan

Choreographer

Sutton Foster

Performer

Michael Pennington

Actor, director and writer

Elizabeth McGovern

Actor

Sutton Foster

Performer

Carrie Hope Fletcher

Actor

Julian Bird

Chief executive, Society of London Theatre/UK Theatre

Jane Asher

Actor

Nancy Carroll

Actor

Long Reads

Putting down roots: how immersive theatre is evolving

Punchdrunk's Felix Barrett and Maxine Doyle: 'This place is on a scale that is truly mythic'

Is the immersive sector experiencing growing pains?

Immersive experiences have become one of the fastest growing genres in live entertainment. Anna James talks to leading creators about whether the boom can survive

How is immersive theatre staying afloat during lockdown?

Putting down roots: how immersive theatre is evolving

Punchdrunk's Felix Barrett and Maxine Doyle: 'This place is on a scale that is truly mythic'

How is immersive theatre staying afloat during lockdown?

Features