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Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

by Chris Bartlett
In the latest in our series looking at how UK venues are reopening, Tron Theatre’s artistic director Andy Arnold tells Chris Bartlett that the relationship between audience and performer should never be taken for granted
Stage Directions: Colin McCredie – ‘I liked the absence of professional jealousy during the pandemic’

Stage Directions: Colin McCredie – ‘I liked the absence of professional jealousy during the pandemic’

by Fergus Morgan
Lucy St Louis, Phantom's new star – ‘My position in this show has blown the door off its hinges’

Lucy St Louis, Phantom's new star – ‘My position in this show has blown the door off its hinges’

by Amanda Parker
Choreographer JoAnn M Hunter: ‘In the rehearsal room my job is to be the rock for the performers’

Choreographer JoAnn M Hunter: ‘In the rehearsal room my job is to be the rock for the performers’

by Liz Hoggard
The ‘English Elvis’: Tommy Steele’s 65 years in the spotlight

The ‘English Elvis’: Tommy Steele’s 65 years in the spotlight

by Michael Quinn
Stage Directions: James Purefoy – ‘I’ve missed moments in theatre when it feels like lightning is striking’

Stage Directions: James Purefoy – ‘I’ve missed moments in theatre when it feels like lightning is striking’

by Fergus Morgan
Frinton at 80: Why theatremakers still love to be beside the seaside

Frinton at 80: Why theatremakers still love to be beside the seaside

by Anna James
Curtain Up: Belgrade Theatre – 'I really hope the government now values what we’re doing’

Curtain Up: Belgrade Theatre – 'I really hope the government now values what we’re doing’

by Chris Bartlett
Come from Away star Alice Fearn: ‘The pain of not performing has proved to me how much I love what I do’

Come from Away star Alice Fearn: ‘The pain of not performing has proved to me how much I love what I do’

by Fergus Morgan
Schmigadoon!'s Cecily Strong and Cinco Paul: 'We always had the same vision for the show'

Schmigadoon!'s Cecily Strong and Cinco Paul: 'We always had the same vision for the show'

by Matthew Hemley
Two of a kind: how role-sharing at Chichester is shaking up the industry

Two of a kind: how role-sharing at Chichester is shaking up the industry

by Theo Bosanquet
The Two Character Play: reviving the work Tennessee Williams considered his best since Streetcar

The Two Character Play: reviving the work Tennessee Williams considered his best since Streetcar

by Nick Smurthwaite
Stage Directions: Ola Ince – ‘I try to give the underdog a voice and I gravitate towards work that does that’

Stage Directions: Ola Ince – ‘I try to give the underdog a voice and I gravitate towards work that does that’

by Fergus Morgan
Grange Festival’s King Lear: The opera stars who’ve swapped singing for Shakespeare

Grange Festival’s King Lear: The opera stars who’ve swapped singing for Shakespeare

by George Hall
Curtain Up: Hackney Empire – 'If we don’t get the information we need, our future becomes perilous'

Curtain Up: Hackney Empire – 'If we don’t get the information we need, our future becomes perilous'

by Chris Bartlett
Stage Directions: Omari Douglas – 'It’s a Sin connected with many different audiences’

Stage Directions: Omari Douglas – 'It’s a Sin connected with many different audiences’

by Fergus Morgan

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