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Reviews

“Cathartic and tender”

Father the Father

The MAC, Belfast/Online

Gilly Campbell’s intensely personal writing debut is an affecting study of an abandoned daughter’s search for paternal affirmation

“Maureen Beattie is magnetic”

Meet Jan Black

Gaiety Theatre/Online

“Uplifting and compelling”

Now Or Never

Barn Theatre, Cirencester

“Powerful and thrilling”

Messiah

London Coliseum/BBC Two/BBC iPlayer

“A consummate performance”

An Elephant in the Garden

Barn Theatre, Cirencester/online

“Direct and disarming”

Playfight

Finborough/Online

“Rich and poised performances”

Romeo and Juliet

Sky Arts/PBS

“A gift”

A Midsummer Night’s Dream

Online

“Subtle and multi-layered”

Sadie

BBC/Lyric Theatre Belfast

“Rich dialogue”

Testament

Online

“Lack of coherence”

Remembering the Oscars

Online

“Shane Richie is riveting”

Scaramouche Jones

Online

“Clever two-hander”

Trestle

Maltings Theatre, St Albans/online

“Intriguing look at creating theatre in lockdown”

Doppler: The Story So Far

Online

“Timely, ambitious debut”

Home, Again

The Boat Shed, Ellesmere Port/Online

“Tender and evocative”

Angela

Online

Review Round-Ups

Death of England: Delroy at National Theatre, London – review round-up

Sleepless at Troubadour Wembley Park, London – review round-up

Pretty Woman at Piccadilly Theatre, London – review round-up

The Prince of Egypt at the Dominion Theatre, London – review round-up

VIEW ALL

A Number at London's Bridge Theatre starring Roger Allam and Colin Morgan – review round-up

The Upstart Crow starring David Mitchell at the Gielgud Theatre, London – review round-up

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Romeo and Juliet

Sky Arts/PBS

Messiah

London Coliseum/BBC Two/BBC iPlayer

Scaramouche Jones

Online

Father the Father

The MAC, Belfast/Online

An Elephant in the Garden

Barn Theatre, Cirencester/online

Sadie

BBC/Lyric Theatre Belfast

Playfight

Finborough/Online

Meet Jan Black

Gaiety Theatre/Online

Now Or Never

Barn Theatre, Cirencester

Jesus Christ Superstar

The O2 Arena, London

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