The Stage

Liverpool’s Royal Court pauses youth theatre in company-wide 'reductions' plan

Paapa Essiedu urges government to keep funding theatre access schemes

Stage carpentry qualification aims to plug gap in training provisions

Andrew Lloyd Webber: A PR’s nightmare? Not this time

Theatre is not an assembly line. Our playwrights deserve more time to play

Touring is in a critical state – it’s time for a reset

Five factors causing visa issues for theatre shows touring to the US

Early birds and night owls: why a show’s start time can make all the difference

The Oliviers enjoyed a welcome return to prime-time TV – long may that continue

Olivier Awards 2026: who should and who will win this year?

Diamonds and Dust’s liquidation lays bare the fragility of theatre finances

Curtain calls: To film or not to film, that is the question

ACE can only genuinely change if its relationship with artists matures

As regional theatre coverage sadly narrows, let’s hear it for the local critics

Age is no barrier to artistry in dance. Is the industry finally catching up?

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Liverpool’s Royal Court pauses youth theatre in company-wide 'reductions' plan

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Stage carpentry qualification aims to plug gap in training provisions

Paul Vale

Paul has been writing for The Stage since 1998 as a critic and feature writer. He is also part of The Stage's Edinburgh Fringe review team.

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Opinion

Latest
Most Read

Andrew Lloyd Webber: A PR’s nightmare? Not this time

Theatre is not an assembly line. Our playwrights deserve more time to play

Touring is in a critical state – it’s time for a reset

Five factors causing visa issues for theatre shows touring to the US

Early birds and night owls: why a show’s start time can make all the difference

The Oliviers enjoyed a welcome return to prime-time TV – long may that continue

Touring is in a critical state – it’s time for a reset

Andrew Lloyd Webber: A PR’s nightmare? Not this time

Five factors causing visa issues for theatre shows touring to the US

Theatre is not an assembly line. Our playwrights deserve more time to play

Curtain calls: To film or not to film, that is the question

Early birds and night owls: why a show’s start time can make all the difference

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

Stratford Manager - Stage Ma...

Stage managers no longer ‘left in wings’ after Equity and Opera North agreement

Stage managers working for Leeds-based Opera North have secured ‘important recognition and rights’ following the signing of an agreement with Equity

Stage managers no longer ‘left in wings’ after Equity and Opera North agreement

Stage managers working for Leeds-based Opera North have secured ‘important recognition and rights’ following the signing of an agreement with Equity

Latest Issue

The Stage Magazine - April 2026

The Stage Interview Akram Khan - On career pirouettes
Feature Olivier Awards nominees in full
Report Nightlife report sparks performer safety debate
Opinion Siobhán McSweeney on arts funding
Stage Directions Award-winning choreographer Crystal Pite

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Kristin Scott Thomas: Drama school experience was brutal

Liverpool’s Royal Court pauses youth theatre in company-wide 'reductions' plan

Paapa Essiedu urges government to keep funding theatre access schemes

Stage carpentry qualification aims to plug gap in training provisions

Training & Advice by Fergus Morgan

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Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

Recommended for you

Kristin Scott Thomas: Drama school experience was brutal

Liverpool’s Royal Court pauses youth theatre in company-wide 'reductions' plan

Paapa Essiedu urges government to keep funding theatre access schemes

Stage carpentry qualification aims to plug gap in training provisions