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Fergus Morgan

Fergus Morgan is a freelance journalist and critic. He was the winner of The Stage Critic Search 2016

More from this Author

& Juliet at Shaftesbury Theatre, London – review round-up

2017: The year in reviews – what the critics said

2018 show reports: Not quite alright on the night...

Win free training at Fourth Monkey with The Stage Scholarships

Advice by Paul Vale

Win free training at Urdang Academy with The Stage Scholarships

Advice by Paul Vale

Win free training at Cygnet Theatre with The Stage Scholarships

Advice by Paul Vale

Win free training at Italia Conti with The Stage Scholarships

Advice by Paul Vale

Innovation is nothing new to theatre – so let’s take digital risks

Our community work at the Donmar is as important as anything on our stage

Will Covid stub out the tangible thrill of tickets and the history they bring?

The time is right for It's a Sin – but many fought to make it so

Theatre must learn to balance social media’s benefits and downsides

Health passports may not be the fairest way to help theatres reopen safely

Is it time to think differently about theatre buildings?

At a time of desperate need, theatres overlook local talent at their peril

Seyi Omooba tribunal result is a huge relief, but not a cause for celebration

The BBC’s ‘greatest songs from musicals’ poll contained some telling omissions

Risky business: how will we know when it’s ‘safe’ to return to theatres?

We must help drama teachers prove the undeniable value of arts in education

Recommended for you

Win free training at Fourth Monkey with The Stage Scholarships

Advice by Paul Vale

Win free training at Urdang Academy with The Stage Scholarships

Advice by Paul Vale

Win free training at Cygnet Theatre with The Stage Scholarships

Advice by Paul Vale

Win free training at Italia Conti with The Stage Scholarships

Advice by Paul Vale

Fergus Morgan

Fergus Morgan is a freelance journalist and critic. He was the winner of The Stage Critic Search 2016

More from this author

Is theatre’s digital way of working here to stay? Why the tech experts say it is

Culture in Lockdown: Giles Terera – ‘I miss the connection of theatre – it’s a very special thing’

Best Zeller: How The Father went from the Paris stage to Hollywood

Opinion

Latest
Most Read

Innovation is nothing new to theatre – so let’s take digital risks

Our community work at the Donmar is as important as anything on our stage

Will Covid stub out the tangible thrill of tickets and the history they bring?

The time is right for It's a Sin – but many fought to make it so

Theatre must learn to balance social media’s benefits and downsides

Health passports may not be the fairest way to help theatres reopen safely

Will Covid stub out the tangible thrill of tickets and the history they bring?

Theatre must learn to balance social media’s benefits and downsides

Our community work at the Donmar is as important as anything on our stage

At a time of desperate need, theatres overlook local talent at their peril

Prospect of spring awakening gives theatre cause for wary optimism

Advice

What does the future of dance training look like post-Brexit?

by Sarah Lambie

Video artist Paula Varjack: ‘After a temporary role, I had to re-interview for my own position’

by John Byrne

ICMT principal Kenneth Avery-Clark: ‘Learn about business and treat yourself as one’

by John Byrne

Win free training at Fourth Monkey with The Stage Scholarships

by Paul Vale

Riiichard

Made in collaboration with the Richard III Society, this is a strikingly shot and powerfully performed short film exploring Shakespeare’s greatest villain

Brighton Festival announces return in May with live performance

Brighton Festival plans to return with a month-long celebration of arts and culture from May.

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Activity Hosts Auditions

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Croydon, London

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Castings

Sophie in The Neon Ballerina

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Rusov in The Neon Ballerina

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Jo in Tropical Night

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Mora in Tropical Night

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Friend in Kalopsia