The Stage

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Matt Applewhite

Nick Hern Books

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Theatre is not an assembly line. Our playwrights deserve more time to play

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Indhu Rubasingham: We need more women on the country's bigger stages

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Theatre is not an assembly line. Our playwrights deserve more time to play

Touring is in a critical state – it’s time for a reset

Five factors causing visa issues for theatre shows touring to the US

Early birds and night owls: why a show’s start time can make all the difference

The Oliviers enjoyed a welcome return to prime-time TV – long may that continue

People-powered creativity will outlive AI, and this theatre design is proof

Olivier Awards 2026: who should and who will win this year?

Diamonds and Dust’s liquidation lays bare the fragility of theatre finances

Curtain calls: To film or not to film, that is the question

ACE can only genuinely change if its relationship with artists matures

As regional theatre coverage sadly narrows, let’s hear it for the local critics

Age is no barrier to artistry in dance. Is the industry finally catching up?

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Andrew Lloyd Webber reveals he is a recovering alcoholic

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Indhu Rubasingham: We need more women on the country's bigger stages

News by Katie Chambers

James Graham: Theatre should not apologise for telling local stories

News by Hattie Fisk

Matt Applewhite

Nick Hern Books

Matt Applewhite is publisher and chief executive of specialist theatre publisher and performing rights agents Nick Hern Books

More from this author

Theatre is not an assembly line. Our playwrights deserve more time to play

Opinion

Latest
Most Read

Theatre is not an assembly line. Our playwrights deserve more time to play

Touring is in a critical state – it’s time for a reset

Five factors causing visa issues for theatre shows touring to the US

Early birds and night owls: why a show’s start time can make all the difference

The Oliviers enjoyed a welcome return to prime-time TV – long may that continue

People-powered creativity will outlive AI, and this theatre design is proof

Touring is in a critical state – it’s time for a reset

Early birds and night owls: why a show’s start time can make all the difference

Five factors causing visa issues for theatre shows touring to the US

Curtain calls: To film or not to film, that is the question

Theatre is not an assembly line. Our playwrights deserve more time to play

Why have we normalised the idea of being miserable for your art?

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

by John Byrne

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

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Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

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Kristin Scott Thomas: Drama school experience was brutal

Kristin Scott Thomas has reflected on what she labelled a ‘brutal’ experience of drama school, claiming she was prevented from joining the acting department

Kristin Scott Thomas: Drama school experience was brutal

Kristin Scott Thomas has reflected on what she labelled a ‘brutal’ experience of drama school, claiming she was prevented from joining the acting department