The Stage

The Oresteia starring David Morrissey – review round-up

Oldham Coliseum’s reopening delayed again to 2027

Frustrations grow at lack of clarity over plans for Forum in Cumbria

Andrew Lloyd Webber is right about Broadway – but the West End could be next

School plays are vital – they deserve support

The ‘original key’ debate misses the point

Reason not the need: government proposals threaten to quash arts degrees

Theatre’s greatest strength is that we must experience it together

Dear people in power: a letter on why the arts are an essential public infrastructure

Would it be a crime to kill a sacred cow to free up a West End theatre?

The ‘original key’ debate misses the point

Andrew Lloyd Webber is right about Broadway – but the West End could be next

What does Trafalgar Entertainment’s acquisition mean for the Bridge Theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

It’s action that matters for theatre freelancers and we’re starting to see some

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Theatre’s greatest strength is that we must experience it together

When it comes to Shakespeare, it’s quality not quantity that really matters

It’s action that matters for theatre freelancers and we’re starting to see some

Opinion

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Andrew Lloyd Webber is right about Broadway – but the West End could be next

School plays are vital – they deserve support

The ‘original key’ debate misses the point

Reason not the need: government proposals threaten to quash arts degrees

Theatre’s greatest strength is that we must experience it together

Dear people in power: a letter on why the arts are an essential public infrastructure

The ‘original key’ debate misses the point

Andrew Lloyd Webber is right about Broadway – but the West End could be next

Theatre’s greatest strength is that we must experience it together

School plays are vital – they deserve support

Reason not the need: government proposals threaten to quash arts degrees

Would it be a crime to kill a sacred cow to free up a West End theatre?

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

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Pixie Lott to star as Marilyn Monroe in Who Killed Marilyn? premiere

Singer Pixie Lott has been cast as Marilyn Monroe in the world premiere of Who Killed Marilyn? at London’s Emerald Theatre this autumn

Pixie Lott to star as Marilyn Monroe in Who Killed Marilyn? premiere

Singer Pixie Lott has been cast as Marilyn Monroe in the world premiere of Who Killed Marilyn? at London’s Emerald Theatre this autumn

Latest Issue

The Stage Magazine - July 2026

The Stage Interview Danielle de Niese - Her next act
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Tony Awards 2026 All the winners from Broadway's big night
My Favourite Play Sarah Connolly

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Salisbury Playhouse refurb gets £1m funding boost from council

The Oresteia starring David Morrissey – review round-up

Oldham Coliseum’s reopening delayed again to 2027

Frustrations grow at lack of clarity over plans for Forum in Cumbria

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

Recommended for you

Salisbury Playhouse refurb gets £1m funding boost from council

The Oresteia starring David Morrissey – review round-up

Oldham Coliseum’s reopening delayed again to 2027

Frustrations grow at lack of clarity over plans for Forum in Cumbria