The Stage

SUBSCRIBE

We need to address the risks of using amplification in theatres

Is the latest culture funding announcement a case of emperor's new clothes?

Theatre has a dual role to play in these traumatic times

Theatres in England need repairs and maintenance worth £4bn

News by Katie Chambers

ACE to officially support ‘digital arts’ following £4m investment in AI projects

News by Katie Chambers

Theatres will shed jobs without business rates support – SOLT boss

News by Katie Chambers

Scottish artists awarded £1.2m by Creative Scotland

News by Katie Chambers

A farewell, and what I believe The Stage is for

Commemorating the greatest musical flop 30 years on

The current representation system is treating actors as disposable

We need to address the risks of using amplification in theatres

Immersive theatre: 12 legal factors to consider

Is the latest culture funding announcement a case of emperor's new clothes?

We need to address the risks of using amplification in theatres

Let’s not forget theatre’s many unsung heroes

Anti-political playwriting competition serves as a warning

Commemorating the greatest musical flop 30 years on

Immersive theatre: 12 legal factors to consider

Are technical job titles finally reflecting the importance of backstage roles?

Recommended for you

Theatres in England need repairs and maintenance worth £4bn

News by Katie Chambers

ACE to officially support ‘digital arts’ following £4m investment in AI projects

News by Katie Chambers

Theatres will shed jobs without business rates support – SOLT boss

News by Katie Chambers

Scottish artists awarded £1.2m by Creative Scotland

News by Katie Chambers

Amanda is an associate writer for The Stage. Her career spans leadership and consultancy across screen production, broadcast, arts and culture. She is the former editor of Arts Professional and an Oliver-Award-winning sector leader on equality, diversity and inclusion in theatre.

More from this author

We need to address the risks of using amplification in theatres

Is the latest culture funding announcement a case of emperor's new clothes?

Theatre has a dual role to play in these traumatic times

Opinion

Latest
Most Read

A farewell, and what I believe The Stage is for

Commemorating the greatest musical flop 30 years on

The current representation system is treating actors as disposable

We need to address the risks of using amplification in theatres

Immersive theatre: 12 legal factors to consider

Is the latest culture funding announcement a case of emperor's new clothes?

We need to address the risks of using amplification in theatres

Anti-political playwriting competition serves as a warning

Commemorating the greatest musical flop 30 years on

Immersive theatre: 12 legal factors to consider

The current representation system is treating actors as disposable

Let's not demonise dynamic ticket pricing

Advice

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

by John Byrne

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

by John Byrne

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

Lack of royalties for directors a ‘travesty’ – new SDUK boss

Theatre directors are being underpaid due to "outdated" contracts that don’t reflect the amount of work they do, the new general secretary of Stage Directors UK has argued

Lack of royalties for directors a ‘travesty’ – new SDUK boss

Theatre directors are being underpaid due to "outdated" contracts that don’t reflect the amount of work they do, the new general secretary of Stage Directors UK has argued