Lyn Gardner: Theatre is changed – things will never be the same, but that’s no bad thing

News

Reviews

More

Opinion & Advice

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this Author

15 things I won’t forget about 2020 and its impact on theatre

ACE had an impossible choice – divert funds or face catastrophe

'I never ask for money, I always ask for change’ – How transforming philanthropy can transform theatre

South Bank Sky Arts Awards judges stand by Scottish Opera nomination

News by Giverny Masso

Government-backed insurance scheme close to being secured – reports

News by Matthew Hemley

Sonia Friedman: Theatre faces imminent collapse – we need government support now

News by Matthew Hemley

Labyrinth Diet

Reviews by Natasha TripneyThe Space, London

Kneehigh’s loss is sad, but there is a grace in knowing when to let go

Was NT's Hex announcement another example of theatre's nepotism problem?

New York's Drama Book Shop is reborn

Make a Difference Trust: A loss and a legacy that must not be forgotten

Dear Boris Johnson: give theatres clarity or insurance

Can Emma Rice hit new Heights with Brontë adaptation?

Safeguarding training is the key to protecting theatre’s most vulnerable

Now is the perfect time to celebrate theatre’s often undervalued producers

Birmingham Rep let down its community. We need to rebuild trust

Was NT's Hex announcement another example of theatre's nepotism problem?

Second acts: Theatre cannot go 'back to normal' post-Covid, it needs to be reborn

When depicting gay lives really was a sin

Recommended for you

South Bank Sky Arts Awards judges stand by Scottish Opera nomination

News by Giverny Masso

Government-backed insurance scheme close to being secured – reports

News by Matthew Hemley

Sonia Friedman: Theatre faces imminent collapse – we need government support now

News by Matthew Hemley

Kneehigh’s loss is sad, but there is a grace in knowing when to let go

Opinion by Lyn Gardner

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Kneehigh’s loss is sad, but there is a grace in knowing when to let go

Safeguarding training is the key to protecting theatre’s most vulnerable

Leeds 2023 points to how arts bodies and councils can together redefine ‘culture’

Opinion

Latest
Most Read

Kneehigh’s loss is sad, but there is a grace in knowing when to let go

Was NT's Hex announcement another example of theatre's nepotism problem?

New York's Drama Book Shop is reborn

Make a Difference Trust: A loss and a legacy that must not be forgotten

Dear Boris Johnson: give theatres clarity or insurance

Can Emma Rice hit new Heights with Brontë adaptation?

Was NT's Hex announcement another example of theatre's nepotism problem?

Can Emma Rice hit new Heights with Brontë adaptation?

Dear Boris Johnson: give theatres clarity or insurance

How a job advert signalled freelancer recruitment may be becoming more transparent

Safeguarding training is the key to protecting theatre’s most vulnerable

Kneehigh’s loss is sad, but there is a grace in knowing when to let go

Advice

Sam Benjamin: 'Never quit, no matter how hard it gets'

by John Byrne

Louise Andrée Douglas: 'Be yourself, put in the work, and be a team player – you can’t go wrong'

by John Byrne

Raising voices: how musical theatre training is evolving for today’s shows

by Samantha Marsden

Dinesh Sattee: ‘I got my first backstage job by volunteering, getting involved and gaining experience’

by John Byrne

After Life at National Theatre, London – review round-up

Directed by Jeremy Herrin and adapted by Jack Thorne, Herrin and Bunny Christie from Hirokazu Kore-eda’s 1998 film, After Life has reopened the National Theatre. Are the reviews heaven or hell for the cast and creative team, though? We round up the national critics’ verdicts

South Bank Sky Arts Awards judges stand by Scottish Opera nomination

The judging panel for the South Bank Sky Arts Awards has stood by its nomination for Scottish Opera’s Nixon in China, which withdrew from the awards after being criticised for ’yellowface make-up’ and ’whitewashing’

Jobs

Customer Experience Team Mem...

Manchester £9.01/hour

Theatre is changed – things will never be the same, but that’s no bad thing

To continue reading this article you must be logged inRegister or login to unlock 3 free articles every monthOr subscribe for unlimited access

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital

To continue reading this article you must be logged in

Register or login to unlock 3 free articles every month
Or subscribe for unlimited access