The Stage

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Seona McClintock

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Multilingualism on stage has a potent effect

Royal Court pregnancy play pauses performances to help affected theatregoers

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Costume drama: meet the creatives who straddle both fashion and theatre

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The Human Voice review

Reviews by Jane CoyleThe Lyric Theatre, Belfast

The Barbican could learn a lesson or two from the Royal Exchange

Theatre tech companies should be run by experts, not venture capitalists

Pregnant performers can tour – and we should be supporting them to do so

Why are we so shy about revealing the true cost of theatre?

Multilingualism on stage has a potent effect

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Commemorating the greatest musical flop 30 years on

We need to address the risks of using amplification in theatres

What does Ted Stimpson’s exit say about ATG?

Why are we so shy about revealing the true cost of theatre?

Anti-political playwriting competition serves as a warning

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Seona McClintock

Seona McClintock is a multilingual theatre producer, bookworm, world traveller and football fan. She is currently the creative director of Theatre Gu Leòr, Scotland’s leading Gaelic theatre company

More from this author

Multilingualism on stage has a potent effect

Opinion

Latest
Most Read

The Barbican could learn a lesson or two from the Royal Exchange

Theatre tech companies should be run by experts, not venture capitalists

Pregnant performers can tour – and we should be supporting them to do so

Why are we so shy about revealing the true cost of theatre?

Multilingualism on stage has a potent effect

What does Ted Stimpson’s exit say about ATG?

Why are we so shy about revealing the true cost of theatre?

What does Ted Stimpson’s exit say about ATG?

Pregnant performers can tour – and we should be supporting them to do so

Theatre tech companies should be run by experts, not venture capitalists

The Barbican could learn a lesson or two from the Royal Exchange

Multilingualism on stage has a potent effect

Advice

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

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Cynthia Erivo in Dracula at the Noël Coward Theatre – review round-up

Cynthia Erivo is the sole performer in Bram Stoker’s Dracula, the latest in Australian director Kip Williams’ “cine-theatre” series. What did the critics make of it? We round up the reviews