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Mark Shenton

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Roger Foss

Singer Renée Fleming: ‘Music is a form of social cohesion – a way of holding us together’

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Opinion

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Directing part-time is possible but it needs structure and the right support

Theatre’s power lies in how it lands, not what it means

Chess makes the wrong move with Broadway revival

Front-of-house staff deserve their share of the spotlight

OCD is much more complex than many recent plays would suggest

It is a joy for critics to watch a company evolve

Alan Cumming’s salary sacrifice could set a concerning precedent

Put the joy back into theatremaking to stop the talent drain

Chess makes the wrong move with Broadway revival

A new era for The Stage in print

Working with celebrities isn’t always plain sailing – a stage manager’s tale

Hands-on costume work is not properly valued in the creative process

Mark Shenton

Mark Shenton is a theatre critic. He was a regular columnist and associate editor of The Stage until 2019.

More from this author

Roger Foss

Singer Renée Fleming: ‘Music is a form of social cohesion – a way of holding us together’

Mark Shenton: I bid you so long, farewell, auf wiedersehen, goodbye

Directing part-time is possible but it needs structure and the right support

Theatre’s power lies in how it lands, not what it means

Chess makes the wrong move with Broadway revival

Front-of-house staff deserve their share of the spotlight

OCD is much more complex than many recent plays would suggest

It is a joy for critics to watch a company evolve

Chess makes the wrong move with Broadway revival

Working with celebrities isn’t always plain sailing – a stage manager’s tale

OCD is much more complex than many recent plays would suggest

Theatre’s power lies in how it lands, not what it means

Hands-on costume work is not properly valued in the creative process

It is a joy for critics to watch a company evolve

Advice

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

Who needs drama school anyway?

by John Byrne

Applied theatre: what is it and is it the right path for you?

by Samantha Marsden

Netflix purchase of Warner Bros could ‘reshape’ theatre – BECTU boss

Philippa Childs has warned that the deal risks placing the ownership of cultural experience in the hands of a few powerful companies

Netflix purchase of Warner Bros could ‘reshape’ theatre – BECTU boss

Philippa Childs has warned that the deal risks placing the ownership of cultural experience in the hands of a few powerful companies

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Les Misérables returns to the Sondheim Theatre, London – review round-up

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Advice

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

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Who needs drama school anyway?

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