Natasha Tripney: Has lockdown shown us how we can make theatre more international?

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Natasha Tripney

Reviews Editor

Natasha is The Stage's reviews editor and joint lead critic.

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10 don't-miss shows at London's Vault Festival 2017

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Campaign fighting lack of roles for older women wins Equity backing

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Producers call for latest CRF funding to help commercial touring

News by Matthew Hemley

Culture in Lockdown: Morgan Lloyd Malcolm – ‘I’m aching to make a silly show from scratch in a tiny theatre somewhere’

Features by Fergus Morgan

Birmingham project announces artist-led hotel and venue for under-represented creatives

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525,600 minutes later, US theatre still waits to reopen

The challenge for fringe festivals post-Covid will be not to sacrifice creativity

We need to reshape the industry. Here are some ideas for how to start

Is history repeating itself with the V&A and the Theatre Museum collection?

ENO’s new Ring Cycle is a bold statement and will not be one to miss

Innovation is nothing new to theatre – so let’s take digital risks

Is it time to think differently about theatre buildings?

At a time of desperate need, theatres overlook local talent at their peril

Seyi Omooba tribunal result is a huge relief, but not a cause for celebration

The BBC’s ‘greatest songs from musicals’ poll contained some telling omissions

Risky business: how will we know when it’s ‘safe’ to return to theatres?

We must help drama teachers prove the undeniable value of arts in education

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Campaign fighting lack of roles for older women wins Equity backing

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Producers call for latest CRF funding to help commercial touring

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Culture in Lockdown: Morgan Lloyd Malcolm – ‘I’m aching to make a silly show from scratch in a tiny theatre somewhere’

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Birmingham project announces artist-led hotel and venue for under-represented creatives

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Natasha Tripney

Reviews Editor

Natasha is The Stage's reviews editor and joint lead critic.

More from this author

Theatremakers find it’s good to talk as phone shows take off in lockdown

No media spin: How SBC helps asylum seekers and refugees tell their stories

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Opinion

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525,600 minutes later, US theatre still waits to reopen

The challenge for fringe festivals post-Covid will be not to sacrifice creativity

We need to reshape the industry. Here are some ideas for how to start

Is history repeating itself with the V&A and the Theatre Museum collection?

ENO’s new Ring Cycle is a bold statement and will not be one to miss

Innovation is nothing new to theatre – so let’s take digital risks

We need to reshape the industry. Here are some ideas for how to start

Is history repeating itself with the V&A and the Theatre Museum collection?

Will Covid stub out the tangible thrill of tickets and the history they bring?

ENO’s new Ring Cycle is a bold statement and will not be one to miss

Our community work at the Donmar is as important as anything on our stage

Innovation is nothing new to theatre – so let’s take digital risks

Advice

What does the future of dance training look like post-Brexit?

by Sarah Lambie

Video artist Paula Varjack: ‘After a temporary role, I had to re-interview for my own position’

by John Byrne

ICMT principal Kenneth Avery-Clark: ‘Learn about business and treat yourself as one’

by John Byrne

Win free training at Fourth Monkey with The Stage Scholarships

by Paul Vale

Audrey Niffenegger: 'I wasn't told about Time Traveller's musical – it's peculiar'

Author Audrey Niffenegger has revealed her surprise to learn about a musical based on her bestselling book The Time Traveller’s Wife, saying she knew nothing about it and describing the situation as “peculiar”

Audrey Niffenegger: 'I wasn't told about Time Traveller's musical – it's peculiar'

Author Audrey Niffenegger has revealed her surprise to learn about a musical based on her bestselling book The Time Traveller’s Wife, saying she knew nothing about it and describing the situation as “peculiar”

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Has lockdown shown us how we can make theatre more international?

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