The Stage

Andrew Lloyd Webber: Broadway is in crisis – it needs addressing urgently

Heathers the Musical review

Reviews by Holly O'MahonyThe Arts at Marble Arch

The Jonathan Larson Project review

Reviews by Paul ValeSouthwark Playhouse Borough, London

The ‘original key’ debate misses the point

Reason not the need: government proposals threaten to quash arts degrees

Theatre’s greatest strength is that we must experience it together

Dear people in power: a letter on why the arts are an essential public infrastructure

Would it be a crime to kill a sacred cow to free up a West End theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

Would it be a crime to kill a sacred cow to free up a West End theatre?

What does Trafalgar Entertainment’s acquisition mean for the Bridge Theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

It’s action that matters for theatre freelancers and we’re starting to see some

Whisper it: did Timothée Chalamet have a point about ballet and opera?

Current, sexy and aspirational: here’s what opera can, and should, be

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Matt Lucas to star as Fagin in Oliver! for limited run

Andrew Lloyd Webber: Broadway is in crisis – it needs addressing urgently

Don Black’s revue From the Heart returns to West End in October

Review Round-Ups by Fergus Morgan

Jesus Christ Superstar starring Sam Ryder – review round-up

Richard Jordan

Richard Jordan is an award-winning UK and international theatre producer. He has been a regular contributor to The Stage since 2005. Read Richard's latest column for The Stage every Thursday.

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Opinion

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The ‘original key’ debate misses the point

Reason not the need: government proposals threaten to quash arts degrees

Theatre’s greatest strength is that we must experience it together

Dear people in power: a letter on why the arts are an essential public infrastructure

Would it be a crime to kill a sacred cow to free up a West End theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

Would it be a crime to kill a sacred cow to free up a West End theatre?

Theatre’s greatest strength is that we must experience it together

The ‘original key’ debate misses the point

Reason not the need: government proposals threaten to quash arts degrees

Dear people in power: a letter on why the arts are an essential public infrastructure

When it comes to Shakespeare, it’s quality not quantity that really matters

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

Scenic Metalworker, Producti...

Sweeney Todd: The Demon Barber of Fleet Street review

Joe Murphy’s stark production of Stephen Sondheim’s great musical takes advantage of the operatic scale of the Rep’s huge stage

Matt Lucas to star as Fagin in Oliver! for limited run

Matt Lucas will be joining the cast of Oliver! as Fagin for a 6-week run at the Gielgud Theatre

Latest Issue

The Stage Magazine - July 2026

The Stage Interview Danielle de Niese - Her next act
The Long Read Inside the rise of country house opera
Tony Awards 2026 All the winners from Broadway's big night
My Favourite Play Sarah Connolly

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Matt Lucas to star as Fagin in Oliver! for limited run

Andrew Lloyd Webber: Broadway is in crisis – it needs addressing urgently

“Candy store of teenage angst”

Heathers the Musical review

Reviews by Holly O'MahonyThe Arts at Marble Arch

“Invention and flair”

The Jonathan Larson Project review

Reviews by Paul ValeSouthwark Playhouse Borough, London

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

Recommended for you

Matt Lucas to star as Fagin in Oliver! for limited run

Andrew Lloyd Webber: Broadway is in crisis – it needs addressing urgently