The Stage

Without new plays, British theatre will lapse into irrelevance

Nick Hern Books rolls out support to playwrights amid sector ‘precarity’

James Graham: We are in a crisis of the new

Five factors causing visa issues for theatre shows touring to the US

Early birds and night owls: why a show’s start time can make all the difference

The Oliviers enjoyed a welcome return to prime-time TV – long may that continue

People-powered creativity will outlive AI, and this theatre design is proof

Curtain calls: To film or not to film, that is the question

Why have we normalised the idea of being miserable for your art?

Olivier Awards 2026: who should and who will win this year?

Diamonds and Dust’s liquidation lays bare the fragility of theatre finances

Curtain calls: To film or not to film, that is the question

ACE can only genuinely change if its relationship with artists matures

As regional theatre coverage sadly narrows, let’s hear it for the local critics

The Olivier Awards still has a long way to go on equal representation

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Venues and producers link up for touring scheme to ‘sustain British playwriting’

Without new plays, British theatre will lapse into irrelevance

Nick Hern Books rolls out support to playwrights amid sector ‘precarity’

James Graham: We are in a crisis of the new

Andrzej Lukowski

Andrzej Lukowski is theatre editor at Time Out London

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Opinion

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Five factors causing visa issues for theatre shows touring to the US

Early birds and night owls: why a show’s start time can make all the difference

The Oliviers enjoyed a welcome return to prime-time TV – long may that continue

People-powered creativity will outlive AI, and this theatre design is proof

Curtain calls: To film or not to film, that is the question

Why have we normalised the idea of being miserable for your art?

Curtain calls: To film or not to film, that is the question

Early birds and night owls: why a show’s start time can make all the difference

Olivier Awards 2026: who should and who will win this year?

Why have we normalised the idea of being miserable for your art?

The Oliviers enjoyed a welcome return to prime-time TV – long may that continue

Diamonds and Dust’s liquidation lays bare the fragility of theatre finances

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

Gareth Gates pens musical inspired by experience of living with a stammer

Singer and performer Gareth Gates is creating a musical inspired by his own experience of living with a stammer

Gareth Gates pens musical inspired by experience of living with a stammer

Singer and performer Gareth Gates is creating a musical inspired by his own experience of living with a stammer

Latest Issue

The Stage Magazine - April 2026

The Stage Interview Akram Khan - On career pirouettes
Feature Olivier Awards nominees in full
Report Nightlife report sparks performer safety debate
Opinion Siobhán McSweeney on arts funding
Stage Directions Award-winning choreographer Crystal Pite

READ IN FULL

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Artistic Director

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Buildings Manager

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Venues and producers link up for touring scheme to ‘sustain British playwriting’

Without new plays, British theatre will lapse into irrelevance

Nick Hern Books rolls out support to playwrights amid sector ‘precarity’

James Graham: We are in a crisis of the new

Long Reviews by Fergus Morgan

More about this person

Talking Heads – episodes 1-6

Talking Heads

Reviews by Dave Fargnoli

Paula Vogel's Indecent and Habeas Corpus revival to run at Menier Chocolate Factory

News by Georgia Snow

The Habit of Art

Reviews by Bella Todd

More about this organisation

Mark Shenton's week: A critic’s joy at putting down the pen and returning to the audience

Opinion by Mark Shenton

Director Alice Hamilton: ‘As a director I believe my job is to serve the writer. Maybe that means I’m consigning myself to a slow-burning career’

Features by Fergus Morgan

Guys and Dolls makes the case for a more flexible Theatreland

Opinion by Alistair Smith

Guys and Dolls review

Long Reviews by Sam Marlowe

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

Recommended for you

Venues and producers link up for touring scheme to ‘sustain British playwriting’

Without new plays, British theatre will lapse into irrelevance

Nick Hern Books rolls out support to playwrights amid sector ‘precarity’

James Graham: We are in a crisis of the new