Criteria and information for the Best Writer category.
Sponsored by Sonia Friedman Productions


First professional writing credit in a production staged between July 18, 2024 and July 17, 2025 in the UK and reviewed by The Stage.
Nominees must be over 16 years old or over.

Almeida Theatre, London
This debut play about female friendship and male power by TV dramatist Ava Pickett was vividly engaging and delivered with dash and flair.
Agent: Curtis Brown
Training: Royal Central School of Speech and Drama

Pitlochry Festival Theatre and Byre Theatre, St Andrews
Raw, real and mightily moving, Sweeney’s debut told a Glasgow-set story of depression, desperation and connection.
Agent: Brennan Artists
Training: New College Lanarkshire

Laurels, Whitley Bay
Bond’s accomplished debut was a sharply funny and perceptive story of teenage friendship set in a seaside amusement arcade.

What We Talk About When We Talk About Anne Frank
Marylebone Theatre, London
Englander’s play was a fiery and intelligent exploration of Jewish identity.
Agent: Aragi

Bush Theatre, London
King’s play was a blisteringly beautiful exploration of dementia, community and connection in a rapidly changing London.
Agent: United Agents

Southwark Playhouse, London
Netherwood’s smart, atmospheric play upended well-worn horror tropes to tell a tale of queer rage and catharsis.
Agent: Casarotto Ramsay & Associates

Almeida Theatre, London
This debut play about female friendship and male power by TV dramatist Ava Pickett was vividly engaging and delivered with dash and flair.
Agent: Curtis Brown
Training: Royal Central School of Speech and Drama

Pitlochry Festival Theatre and Byre Theatre, St Andrews
Raw, real and mightily moving, Sweeney’s debut told a Glasgow-set story of depression, desperation and connection.
Agent: Brennan Artists
Training: New College Lanarkshire

Finborough Theatre, London
Sze’s acid humour and sharply observed dialogue lifted this story of gender-nonconforming students and teachers within the English education system.