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Natasha Tripney

International Editor

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Political meddling in arts organisations across the globe is an issue for us all

European theatre: year in review

It is a joy for critics to watch a company evolve

Opinion

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Ten things I've learned from teaching Gen-Z acting students

BAFTA incident exposes the need for more relaxed theatre performances

Timothée Chalamet has bitten the hand that feeds him

Risk-taking is essential to make theatre that matters

Olivier nominations 2026 – who missed out?

Reese Witherspoon is right – but talent doesn’t grow without opportunity

Dracula's uneasy first bite is a warning not to take preview audiences for suckers

Devyani Saltzman’s Barbican exit is part of a depressing trend

Why are we so shy about revealing the true cost of theatre?

What does Ted Stimpson’s exit say about ATG?

Olivier nominations 2026 – who missed out?

Timothée Chalamet has bitten the hand that feeds him

Natasha Tripney

International Editor

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

More from this author

Political meddling in arts organisations across the globe is an issue for us all

European theatre: year in review

It is a joy for critics to watch a company evolve

Ten things I've learned from teaching Gen-Z acting students

BAFTA incident exposes the need for more relaxed theatre performances

Timothée Chalamet has bitten the hand that feeds him

Risk-taking is essential to make theatre that matters

Olivier nominations 2026 – who missed out?

Reese Witherspoon is right – but talent doesn’t grow without opportunity

Olivier nominations 2026 – who missed out?

Timothée Chalamet has bitten the hand that feeds him

Reese Witherspoon is right – but talent doesn’t grow without opportunity

Risk-taking is essential to make theatre that matters

Ten things I've learned from teaching Gen-Z acting students

BAFTA incident exposes the need for more relaxed theatre performances

Advice

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

by John Byrne

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

by John Byrne

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

America the Beautiful: Chapter 1 review

Volley of short plays by American writer Neil LaBute is a predictably mixed bag of violence masquerading as social commentary

Production costs double in a decade as theatres brace for deficits – report

Production costs have doubled in 10 years, according to a report that also warns that more than 50% of subsidised theatre organisations are expecting to run at a deficit

Latest Issue

The Stage Magazine - February 2026

The Stage Interview Lynette Linton - A new direction
The Long Read Dr Theatre: the arts & health
Feature Wrestling slams into the spotlight
Archive The Royal Court origin story
Stage Directions Musical theatre's Jamie Muscato

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More about this person

The Stage 100 2020: 41-50

Features by The Stage

Barbican announces 2017 theatre and dance programme

News by Georgia Snow

Coronavirus: Theatre leaders outline challenges as venues remain dark

News by Georgia Snow

Mark Shenton: Artistic director merry-go-round provides a chance for positive change

Opinion by Mark Shenton

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Top 5 theatre shows to see this week (April 11-21)

Opinion by Natasha Tripney

In pictures (March 15): Hamlet at Hackney Empire, Richmond Theatre, Vault Festival, Liverpoool Everyman and more

Features by The Stage

Run Sister Run

Reviews by John Murphy

The Stage's favourite shows outside of London in 2019

Opinion by The Stage

Advice

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

by John Byrne

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

by John Byrne

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

Olivier Awards 2026: full list of nominations

Old Vic settles with actor in Kevin Spacey sexual assault claim

Timothée Chalamet criticised for ‘disrespectful’ opera and ballet remarks

Olivier nominations 2026 – who missed out?

Timothée Chalamet has bitten the hand that feeds him

WhatsOnStage Awards 2026: full list of winners

RSC head of music takes redundancy with music department set to be axed

Broken Glass review

The Manningtree Witches review

Leslie Odom Jr to join West End production of Hamilton

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Top 5 theatre to see this week (March 9-15)

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