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Natasha Tripney

International Editor

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It is a joy for critics to watch a company evolve

How European theatre showcases are connecting artists and nations

Why festivals remain invaluable for early-career artists

Opinion

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Most Read

Theatre’s power lies in how it lands, not what it means

Chess makes the wrong move with Broadway revival

Front-of-house staff deserve their share of the spotlight

OCD is much more complex than many recent plays would suggest

It is a joy for critics to watch a company evolve

Working with celebrities isn’t always plain sailing – a stage manager’s tale

Alan Cumming’s salary sacrifice could set a concerning precedent

Put the joy back into theatremaking to stop the talent drain

Chess makes the wrong move with Broadway revival

A new era for The Stage in print

Working with celebrities isn’t always plain sailing – a stage manager’s tale

Hands-on costume work is not properly valued in the creative process

Natasha Tripney

International Editor

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

More from this author

It is a joy for critics to watch a company evolve

How European theatre showcases are connecting artists and nations

Why festivals remain invaluable for early-career artists

Theatre’s power lies in how it lands, not what it means

Chess makes the wrong move with Broadway revival

Front-of-house staff deserve their share of the spotlight

OCD is much more complex than many recent plays would suggest

It is a joy for critics to watch a company evolve

Working with celebrities isn’t always plain sailing – a stage manager’s tale

Chess makes the wrong move with Broadway revival

Working with celebrities isn’t always plain sailing – a stage manager’s tale

Hands-on costume work is not properly valued in the creative process

OCD is much more complex than many recent plays would suggest

Theatre’s power lies in how it lands, not what it means

It is a joy for critics to watch a company evolve

Advice

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

Who needs drama school anyway?

by John Byrne

Applied theatre: what is it and is it the right path for you?

by Samantha Marsden

Aladdin review

Paul Hendy’s Sheffield-rooted adaptation boast puns galore and enjoyably chaotic energy

Shakespeare monologue to travel 430 light years to North Star

A monologue from Shakespeare’s Julius Caesar is to be beamed into space as part later this month, where it will travel 430 light years before reaching the North Star

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Chichester's Caroline, Or Change to transfer to the West End

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Yet another case of life imitating art 

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Home

Long Reviews by Tom Wicker

The Long Song

Long Reviews by Nikita Karia

Advice

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

Who needs drama school anyway?

by John Byrne

Applied theatre: what is it and is it the right path for you?

by Samantha Marsden

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Chess makes the wrong move with Broadway revival

The Playboy of the Western World review

WhatsOnStage Awards 2026: nominations in full

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Judi Dench: I worry about disinterest in the arts from younger generations

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