Toilet humour? These playwrights have found compassion in the cubicle
Boys on the Verge of Tears at Soho Theatre, London. Photo: Marc Brenner
David Benedict looks at two recent plays – Sam Grabiner’s Boys on the Verge of Tears and Harry McDonald’s Foam, both set in public bathrooms – to examine how this unlikely location yields tender stories
Support The Stage by registering or subscribing
To continue reading this article you must be logged in.
Register or login below to unlock 3 free articles every month.
OR
Or, even better, subscribe for unlimited access and help support independent journalism from as little as £5.99.