The Stage

SUBSCRIBE

Richard Jordan

More from this Author

The Rocky Horror Show's enduring success is a masterclass in timing

What could the Iran conflict mean for British theatre?

Australia and New Zealand’s arts markets are a lesson in effective collaboration

The Rocky Horror Show's enduring success is a masterclass in timing

Opinion by Richard Jordan

Patti LuPone: Broadway is too loud – I can’t understand lyrics

News by Katie Chambers

Belfast Grand Opera House hit by funding cut from Arts Council

News by Michael Quinn

Evita’s Broadway transfer unlikely to have external balcony – Lloyd Webber

News by Matthew Hemley

Ireland is showing basic income for artists can work – the UK should take note

The Rocky Horror Show's enduring success is a masterclass in timing

Andrew Lloyd Webber: A PR’s nightmare? Not this time

Theatre is not an assembly line. Our playwrights deserve more time to play

Touring is in a critical state – it’s time for a reset

Five factors causing visa issues for theatre shows touring to the US

Olivier Awards 2026: who should and who will win this year?

Diamonds and Dust’s liquidation lays bare the fragility of theatre finances

Curtain calls: To film or not to film, that is the question

As regional theatre coverage sadly narrows, let’s hear it for the local critics

Age is no barrier to artistry in dance. Is the industry finally catching up?

Early birds and night owls: why a show’s start time can make all the difference

Recommended for you

The Rocky Horror Show's enduring success is a masterclass in timing

Opinion by Richard Jordan

Patti LuPone: Broadway is too loud – I can’t understand lyrics

News by Katie Chambers

Belfast Grand Opera House hit by funding cut from Arts Council

News by Michael Quinn

Evita’s Broadway transfer unlikely to have external balcony – Lloyd Webber

News by Matthew Hemley

Richard Jordan

Richard Jordan is an award-winning UK and international theatre producer. He has been a regular contributor to The Stage since 2005. Read Richard's latest column for The Stage every Thursday.

More from this author

The Rocky Horror Show's enduring success is a masterclass in timing

What could the Iran conflict mean for British theatre?

Australia and New Zealand’s arts markets are a lesson in effective collaboration

Opinion

Latest
Most Read

Ireland is showing basic income for artists can work – the UK should take note

The Rocky Horror Show's enduring success is a masterclass in timing

Andrew Lloyd Webber: A PR’s nightmare? Not this time

Theatre is not an assembly line. Our playwrights deserve more time to play

Touring is in a critical state – it’s time for a reset

Five factors causing visa issues for theatre shows touring to the US

Andrew Lloyd Webber: A PR’s nightmare? Not this time

The Rocky Horror Show's enduring success is a masterclass in timing

Theatre is not an assembly line. Our playwrights deserve more time to play

Touring is in a critical state – it’s time for a reset

Ten things I've learned from teaching Gen-Z acting students

Five factors causing visa issues for theatre shows touring to the US

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

by John Byrne

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

by John Byrne

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Ireland is showing basic income for artists can work – the UK should take note

A country that punches above its weight in the art it produces must support those artists, says Lyn Gardner – the UK misunderstands this to its own detriment

Welsh election 2026: what does each political party promise for the arts?

Free travel to cultural events for schools, ’fair pay’ and a review of Arts Council of Wales are among the manifesto commitments of the largest political parties in Wales