The Stage

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Self-tapes should be a starting point for casting, not the whole process

Yard Theatre to stage Company in venue’s first musical

Production News by Katie Chambers

Zackary Momoh: ‘I have found the limit of my body. I’m rubbing Deep Heat everywhere’

Features by Fergus Morgan

National Theatre receives £15m boost to touring work in bid to reach 100,000 young people

News by Katie Chambers

Matt Henry to lead To Sir, With Love musical UK tour

Production News by Hattie Fisk

Momentum for new work depends on connectivity – across the whole industry

It’s not just the big guns who can give back to the theatre community

Critics do more for theatre than generate ticket sales

Paddington is bearing more than its share of expectation on Broadway

What could the government’s freelance champions achieve in their first six months?

Theatre must urgently address inequalities, drama in schools campaign reminds us

How much is an actor’s social media presence worth?

Five takeaways from Phantom’s 40th gala celebrations

LIFT’s English showcase could be a much-needed boost for theatre exports

Critics do more for theatre than generate ticket sales

Why do politicians think the arts are dispensable?

It’s not just the big guns who can give back to the theatre community

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Yard Theatre to stage Company in venue’s first musical

Production News by Katie Chambers

Zackary Momoh: ‘I have found the limit of my body. I’m rubbing Deep Heat everywhere’

Features by Fergus Morgan

National Theatre receives £15m boost to touring work in bid to reach 100,000 young people

News by Katie Chambers

Matt Henry to lead To Sir, With Love musical UK tour

Production News by Hattie Fisk

Rob Kelly is an Emmy-nominated UK casting director working across theatre, television and film. His recent credits include The Jonathan Larson Project, Geek Girl, Malory Towers, Little Shop of Horrors and Hadestown

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Self-tapes should be a starting point for casting, not the whole process

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Momentum for new work depends on connectivity – across the whole industry

It’s not just the big guns who can give back to the theatre community

Critics do more for theatre than generate ticket sales

Paddington is bearing more than its share of expectation on Broadway

What could the government’s freelance champions achieve in their first six months?

Theatre must urgently address inequalities, drama in schools campaign reminds us

Critics do more for theatre than generate ticket sales

It’s not just the big guns who can give back to the theatre community

Paddington is bearing more than its share of expectation on Broadway

Momentum for new work depends on connectivity – across the whole industry

What could the government’s freelance champions achieve in their first six months?

Theatre must urgently address inequalities, drama in schools campaign reminds us

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Cloud 9 at the National Theatre – review round-up

Dominic Cooke returns to the South Bank to revive Caryl Churchill’s 1979 play, but does its impossible study of sex and gender down the ages still captivate the critics? Fergus Morgan rounds up the reviews

EdFringe increases artist registration fee for first time in two decades

The Edinburgh Festival Fringe Society has increased its registration fees for artists for the first time in 20 years

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The Stage Magazine - November 2026

The Stage Debut Awards 2026 The winners of the ninth annual The Stage Debut Awards revealed
The Stage: On Tour Our team travels to Birmingham
The Stage Interview Helen Edmundson, Blanche McIntyre & Anne-Marie Duff
My Favourite Play Simon Russell Beale

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Self-tapes should be a starting point for casting, not the whole process

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