The Royal Court Theatre’s London production of Manfred Karge’s Man to Man, starring Tilda Swinton, will transfer to Edinburgh’s Traverse Theatre in October

Edinburgh’s Capital Theatres has launched two associate positions designed to support artists in making work for people with dementia and children with complex needs

The Eurovision star makes his theatrical debut in Andrew Lloyd Webber and Tim Rice’s religious rock opera, but does Tim Sheader’s staging still impress the press on its West End premiere? Fergus Morgan rounds up the reviews.

Aberdeen Performing Arts has launched a ’major search’ for a new proposal from an early-career playwright, which will then be commissioned and developed for production in 2027

Edinburgh’s new tourist tax will pay for a 10-strong team of ‘festival city ambassadors’ to ensure the city ‘remains a vibrant and inclusive place’ during the summer

A group of Scottish companies and theatremakers is organising a proposal to take over Glasgow’s closed Centre for Contemporary Arts

Iain Munro is to step down as chief executive of Creative Scotland after eight years in post

Actor whose decades-long career spanned stage, screen and radio, and whose credits included roles in Oresteia, Othello, The Devil’s Disciple, TV’s Anne of Green Gables and Brideshead Revisited, and films Aliens and Saving Private Ryan

The acclaimed 2014 film about LGBT+ activists supporting striking miners has been adapted for the stage, but does Matthew Warchus’ production impress the press? Fergus Morgan rounds up the reviews

The world of audio drama can be as gripping, and sometimes even more so, than live performance, says Fergus Morgan as the British Audio Awards – also known as the Speakies – returns for a second year

Edinburgh’s festivals are ‘economic powerhouses’ that will collectively contribute more than £4bn to Scotland’s economy over the next five years, according to new research

Lean, lucid chamber-piece staging of Shakespeare’s tragedy

Callum Smith will leave his role as director of producing at Edinburgh’s Royal Lyceum Theatre to take up the same role at Glasgow’s Citizens Theatre in September

London’s Royal Court Theatre will lend its support to a Zambian circus company at the Edinburgh Fringe, after the two organisations discovered they were producing shows using the word Afronauts in the title

Ol’ Blue Eyes is back in Joe DiPietro and Kathleen Marshall’s new jukebox bio-musical, but does its dramatisation of the legendary crooner’s life impress the press?