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Momentum for new work depends on connectivity – across the whole industry

Paddington is bearing more than its share of expectation on Broadway

What’s behind the rise of the Friday matinee?

Roberta Wilkinson wins 2026 Polka Playwriting Award

News by Hattie Fisk

Staging plays in Japan: what creatives find in translation

Features by Holly Williams

Dominic Cooke: Today’s plays are more polite than those from the 1970s

News by Matthew Hemley

Ex-EastEnders actor vows to champion improv at new-writing venue

News by Hattie Fisk

Momentum for new work depends on connectivity – across the whole industry

It’s not just the big guns who can give back to the theatre community

Critics do more for theatre than generate ticket sales

Paddington is bearing more than its share of expectation on Broadway

What could the government’s freelance champions achieve in their first six months?

Theatre must urgently address inequalities, drama in schools campaign reminds us

How much is an actor’s social media presence worth?

Five takeaways from Phantom’s 40th gala celebrations

LIFT’s English showcase could be a much-needed boost for theatre exports

Critics do more for theatre than generate ticket sales

Why do politicians think the arts are dispensable?

It’s not just the big guns who can give back to the theatre community

Recommended for you

Roberta Wilkinson wins 2026 Polka Playwriting Award

News by Hattie Fisk

Staging plays in Japan: what creatives find in translation

Features by Holly Williams

Dominic Cooke: Today’s plays are more polite than those from the 1970s

News by Matthew Hemley

Ex-EastEnders actor vows to champion improv at new-writing venue

News by Hattie Fisk

Richard Jordan

Richard Jordan is an award-winning UK and international theatre producer. He has been a regular contributor to The Stage since 2005

More from this author

Momentum for new work depends on connectivity – across the whole industry

Paddington is bearing more than its share of expectation on Broadway

What’s behind the rise of the Friday matinee?

Opinion

Latest
Most Read

Momentum for new work depends on connectivity – across the whole industry

It’s not just the big guns who can give back to the theatre community

Critics do more for theatre than generate ticket sales

Paddington is bearing more than its share of expectation on Broadway

What could the government’s freelance champions achieve in their first six months?

Theatre must urgently address inequalities, drama in schools campaign reminds us

Critics do more for theatre than generate ticket sales

It’s not just the big guns who can give back to the theatre community

Paddington is bearing more than its share of expectation on Broadway

Momentum for new work depends on connectivity – across the whole industry

What could the government’s freelance champions achieve in their first six months?

Theatre must urgently address inequalities, drama in schools campaign reminds us

Advice

‘Remember why you wanted to do this’: how to get yourself drama-school ready

by John Byrne

How can I make the most of a drama school open day?

by John Byrne

‘Be freer’: theatre stars on what they wish they had known before drama school

by Holly O'Mahony

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Cloud 9 at the National Theatre – review round-up

Dominic Cooke returns to the South Bank to revive Caryl Churchill’s 1979 play, but does its impossible study of sex and gender down the ages still captivate the critics? Fergus Morgan rounds up the reviews

EdFringe increases artist registration fee for first time in two decades

The Edinburgh Festival Fringe Society has increased its registration fees for artists for the first time in 20 years

Latest Issue

The Stage Magazine - November 2026

The Stage Debut Awards 2026 The winners of the ninth annual The Stage Debut Awards revealed
The Stage: On Tour Our team travels to Birmingham
The Stage Interview Helen Edmundson, Blanche McIntyre & Anne-Marie Duff
My Favourite Play Simon Russell Beale

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