The Stage

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Lyn Gardner

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Risk-taking is essential to make theatre that matters

Reese Witherspoon is right – but talent doesn’t grow without opportunity

Dracula's uneasy first bite is a warning not to take preview audiences for suckers

BAFTA incident exposes the need for more relaxed theatre performances

Opinion by Amanda Parker

Production costs double in a decade as theatres brace for deficits – report

News by Katie Chambers

Stage Entertainment announces new CEO as Arthur de Bok steps down

Appointments by Matthew Hemley

Theatre ‘inhospitable’ for working parents – research

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Ten things I've learned from teaching Gen-Z acting students

BAFTA incident exposes the need for more relaxed theatre performances

Timothée Chalamet has bitten the hand that feeds him

Risk-taking is essential to make theatre that matters

Olivier nominations 2026 – who missed out?

Reese Witherspoon is right – but talent doesn’t grow without opportunity

Dracula's uneasy first bite is a warning not to take preview audiences for suckers

Devyani Saltzman’s Barbican exit is part of a depressing trend

Why are we so shy about revealing the true cost of theatre?

What does Ted Stimpson’s exit say about ATG?

Olivier nominations 2026 – who missed out?

Timothée Chalamet has bitten the hand that feeds him

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BAFTA incident exposes the need for more relaxed theatre performances

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Risk-taking is essential to make theatre that matters

Reese Witherspoon is right – but talent doesn’t grow without opportunity

Dracula's uneasy first bite is a warning not to take preview audiences for suckers

Opinion

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Ten things I've learned from teaching Gen-Z acting students

BAFTA incident exposes the need for more relaxed theatre performances

Timothée Chalamet has bitten the hand that feeds him

Risk-taking is essential to make theatre that matters

Olivier nominations 2026 – who missed out?

Reese Witherspoon is right – but talent doesn’t grow without opportunity

Olivier nominations 2026 – who missed out?

Timothée Chalamet has bitten the hand that feeds him

Reese Witherspoon is right – but talent doesn’t grow without opportunity

Risk-taking is essential to make theatre that matters

Ten things I've learned from teaching Gen-Z acting students

BAFTA incident exposes the need for more relaxed theatre performances

Advice

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

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Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

by John Byrne

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

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Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

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Stolen touring van leaves York-based company ‘devastated’

A van containing the entire set, costumes and technical equipment for a touring production has been stolen, depriving the company of ‘almost everything needed to stage the show’

Stolen touring van leaves York-based company ‘devastated’

A van containing the entire set, costumes and technical equipment for a touring production has been stolen, depriving the company of ‘almost everything needed to stage the show’