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David Benedict

David Benedict

David Benedict has been a daily columnist and theatre editor on the Independent, arts editor of the Observer and chief London critic of V...

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The time is right for It's a Sin – but many fought to make it so

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One-man filmed play by Jack Holden to premiere next month

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The time is right for It's a Sin – but many fought to make it so

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The time is right for It's a Sin – but many fought to make it so

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One-man filmed play by Jack Holden to premiere next month

One-man filmed play by Jack Holden to premiere next month

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‘Are self-tapes and Zoom auditions here to stay?’

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Best Zeller: How The Father went from the Paris stage to Hollywood

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David Benedict

David Benedict

David Benedict has been a daily columnist and theatre editor on the Independent, arts editor of the Observer and chief London critic of Variety (2006-2014). He is currently writing the authorised biography of Stephen Sondheim and is a regular guest on the BBC. Read David's columns for The Stage every Wednesday.

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Putting Dorian Gray on Insta could be just Wilde

UK hit It’s a Sin shows how far we’ve come, but the work began in the US

Will Covid put an end to close encounters at the stage door?

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The time is right for It's a Sin – but many fought to make it so

Theatre must learn to balance social media’s benefits and downsides

Health passports may not be the fairest way to help theatres reopen safely

Putting Dorian Gray on Insta could be just Wilde

Prospect of spring awakening gives theatre cause for wary optimism

Stand up for the right to work across Europe – it’s a common-sense issue

At a time of desperate need, theatres overlook local talent at their peril

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Prospect of spring awakening gives theatre cause for wary optimism

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Is it time to think differently about theatre buildings?

Advice

Win free training at Fourth Monkey with The Stage Scholarships

Win free training at Fourth Monkey with The Stage Scholarships

How are university drama courses reacting to the pandemic?

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Mentor/coach Ceili O’Connor: 'Differentiate what you want from what you think you should want'

Mentor/coach Ceili O’Connor: 'Differentiate what you want from what you think you should want'

Edward De Gaetano: My first job involved an embarrassing screen kiss

Edward De Gaetano: My first job involved an embarrassing screen kiss

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Hope Mill sets up theatre school and community hub

Hope Mill sets up theatre school and community hub

Manchester’s Hope Mill Theatre is setting up a community space next to its venue to host a programme of outreach work and a new theatre school

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Hope Mill sets up theatre school and community hub

Hope Mill sets up theatre school and community hub

Manchester’s Hope Mill Theatre is setting up a community space next to its venue to host a programme of outreach work and a new theatre school

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Grimm Tales for Fragile Times and Broken People

“Confusing and disengaging”

Grimm Tales for Fragile Times and Broken People

Reviews by Rosemary WaughOnline

The time is right for It's a Sin – but many fought to make it so

The time is right for It's a Sin – but many fought to make it so

Opinion by Richard Jordan

One-man filmed play by Jack Holden to premiere next month

One-man filmed play by Jack Holden to premiere next month

Production News by Georgia Snow

‘Are self-tapes and Zoom auditions here to stay?’

‘Are self-tapes and Zoom auditions here to stay?’

Dear West End Producer by West End Producer

Advice

Win free training at Fourth Monkey with The Stage Scholarships

Win free training at Fourth Monkey with The Stage Scholarships

How are university drama courses reacting to the pandemic?

How are university drama courses reacting to the pandemic?

by Sarah Lambie

Mentor/coach Ceili O’Connor: 'Differentiate what you want from what you think you should want'

Mentor/coach Ceili O’Connor: 'Differentiate what you want from what you think you should want'

Edward De Gaetano: My first job involved an embarrassing screen kiss

Edward De Gaetano: My first job involved an embarrassing screen kiss

Recommended for you

Grimm Tales for Fragile Times and Broken People

“Confusing and disengaging”

Grimm Tales for Fragile Times and Broken People

Reviews by Rosemary WaughOnline

The time is right for It's a Sin – but many fought to make it so

The time is right for It's a Sin – but many fought to make it so

Opinion by Richard Jordan

One-man filmed play by Jack Holden to premiere next month

One-man filmed play by Jack Holden to premiere next month

Production News by Georgia Snow

‘Are self-tapes and Zoom auditions here to stay?’

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Theatre leaders ‘cautiously welcome’ Boris Johnson’s roadmap

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Clint Dyer

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