The Stage

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Five years after Covid: let’s never lock out disabled talent again

Excellence and inclusion can co-exist – thinking otherwise is out of touch

Content warnings are not spoilers – they are an access requirement

Judi Dench: I worry about disinterest in the arts from younger generations

News by Katie Chambers

ACE to support diverse-led organisations with roll-out of development scheme

Newsby Hattie Fisk

OCD is much more complex than many recent plays would suggest

Opinion by Liam O’Dell

Tom Stoppard wasn’t always embraced by our industry

Opinion by Kate Maltby

Theatre’s power lies in how it lands, not what it means

Chess makes the wrong move with Broadway revival

Front-of-house staff deserve their share of the spotlight

OCD is much more complex than many recent plays would suggest

It is a joy for critics to watch a company evolve

Working with celebrities isn’t always plain sailing – a stage manager’s tale

Alan Cumming’s salary sacrifice could set a concerning precedent

Put the joy back into theatremaking to stop the talent drain

A new era for The Stage in print

Chess makes the wrong move with Broadway revival

Working with celebrities isn’t always plain sailing – a stage manager’s tale

Hands-on costume work is not properly valued in the creative process

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Judi Dench: I worry about disinterest in the arts from younger generations

News by Katie Chambers

ACE to support diverse-led organisations with roll-out of development scheme

Newsby Hattie Fisk

OCD is much more complex than many recent plays would suggest

Opinion by Liam O’Dell

Tom Stoppard wasn’t always embraced by our industry

Opinion by Kate Maltby

Andrew Miller is a cultural consultant and commentator, co-founder of #WeShallNotBeRemoved, a national council member of Arts Council England, governor of the Royal Shakespeare Company and former UK government disability champion for arts and culture.

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Five years after Covid: let’s never lock out disabled talent again

Excellence and inclusion can co-exist – thinking otherwise is out of touch

Content warnings are not spoilers – they are an access requirement

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Theatre’s power lies in how it lands, not what it means

Chess makes the wrong move with Broadway revival

Front-of-house staff deserve their share of the spotlight

OCD is much more complex than many recent plays would suggest

It is a joy for critics to watch a company evolve

Working with celebrities isn’t always plain sailing – a stage manager’s tale

Chess makes the wrong move with Broadway revival

Working with celebrities isn’t always plain sailing – a stage manager’s tale

Hands-on costume work is not properly valued in the creative process

OCD is much more complex than many recent plays would suggest

It is a joy for critics to watch a company evolve

Front-of-house staff deserve their share of the spotlight

Advice

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

Who needs drama school anyway?

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Applied theatre: what is it and is it the right path for you?

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My favourite play: Rupert Goold

Incoming Old Vic artistic director Rupert Goold chooses Richard III, featuring a legendary performance from Antony Sher, as his favourite play

Judi Dench: I worry about disinterest in the arts from younger generations

Judi Dench has revealed concerns that a ‘marked lack of interest in the arts’ means younger generations will not share the enjoyment of theatre that she and her peers did

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