A light touch: leading designers on illuminating dance shows

Production News by Hattie Fisk

The Breakfast Club and Wuthering Heights dance adaptations to run at Sadler’s Wells

Philip Parsons

Obituaries by Nick Smurthwaite

In My Dressing Room... Ruthie Henshall

Features by Giverny Masso

Opinion

Momentum for new work depends on connectivity – across the whole industry

It’s not just the big guns who can give back to the theatre community

by Amanda Parker

Critics do more for theatre than generate ticket sales

by Lyn Gardner

Paddington is bearing more than its share of expectation on Broadway

Recommended for you

Small sustainable changes from theatres can make a difference – RBO environmental lead

Production News by Hattie Fisk

The Breakfast Club and Wuthering Heights dance adaptations to run at Sadler’s Wells

Philip Parsons

Obituaries by Nick Smurthwaite

In My Dressing Room... Ruthie Henshall

Features by Giverny Masso

Zackary Momoh: ‘I have found the limit of my body. I’m rubbing Deep Heat everywhere’

Staging plays in Japan: what creatives find in translation

Steven Hoggett: ‘This art form is not a possibility for a lot of people now’

‘Incisive and vicious’: how Caryl Churchill’s Cloud Nine became a classic

In My Dressing Room... Ruthie Henshall

My Favourite Play: Anupama Chandrasekhar

‘Incisive and vicious’: how Caryl Churchill’s Cloud Nine became a classic

In My Dressing Room... Ruthie Henshall

Steven Hoggett: ‘This art form is not a possibility for a lot of people now’

The Stage 100 2021: List in full

My Favourite Play: Anupama Chandrasekhar

The Stage Debut Awards 2026: meet our winners

EdFringe increases artist registration fee for first time in two decades

The Edinburgh Festival Fringe Society has increased its registration fees for artists for the first time in 20 years

Blake Harrison: No more acting stupid

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Toy Demonstrators - Hamleys!

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‘Incisive and vicious’: how Caryl Churchill’s Cloud Nine became a classic

As Caryl Churchill’s groundbreaking 1979 play is revived by her long-time collaborator Dominic Cooke, David Benedict looks back at the origins and impact of one of the playwright’s most daring works

Humanhood Dance Company: Vortex review

Reviews by Siobhan MurphySadler's Wells East, London

“Superlative”

Royal Ballet: Visionaries – Robbins and MacMillan review

Reviews by Siobhan MurphyRoyal Opera House, London

Small sustainable changes from theatres can make a difference – RBO environmental lead

“Left-field storytelling”

Lost Dog: The Last Hamlet review

Reviews by Siobhan MurphySadler’s Wells East, London

Opinion

Momentum for new work depends on connectivity – across the whole industry

It’s not just the big guns who can give back to the theatre community

by Amanda Parker

Critics do more for theatre than generate ticket sales

by Lyn Gardner

Paddington is bearing more than its share of expectation on Broadway

“Display of physical stamina”

Recommended for you

Humanhood Dance Company: Vortex review

Reviews by Siobhan MurphySadler's Wells East, London

“Superlative”

Royal Ballet: Visionaries – Robbins and MacMillan review

Reviews by Siobhan MurphyRoyal Opera House, London

Small sustainable changes from theatres can make a difference – RBO environmental lead