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Siobhan Murphy

Siobhan Murphy

About Siobhan Murphy

Siobhan Murphy was arts editor of Metro for nine years, and has contributed arts reviews to The Times, Time Out and dancetabs.com. 

Recent Articles

Ballet Flamenco de Andalucía: Tierra Bendita review

Ballet Flamenco de Andalucía: Tierra Bendita review

Homage to Andalucía offers castanets, poetry and flamenco in plenty of guises
Stephanie Lake: Colossus review

Stephanie Lake: Colossus review

Australian choreographer goes for spectacle with her UK debut piece involving 50 dancers
Rocío Molina: Calentamiento review

Rocío Molina: Calentamiento review

Iconoclastic flamenco star offers a delirious, avant-garde explosion of ideas
Gala Flamenca: Eva Yerbabuena, Manuel Liñán, El Farru and Juan Tomás de la Molía review

Gala Flamenca: Eva Yerbabuena, Manuel Liñán, El Farru and Juan Tomás de la Molía review

Exuberant display of pure flamenco from four artists at the top of their game
Compañía de Danza Jesús Carmona: UnYdos review

Compañía de Danza Jesús Carmona: UnYdos review

Flamenco Festival opener captures the essence of the art form with flair and rock-star flourishes
León and Lightfoot: So Are We review

León and Lightfoot: So Are We review

Royal Ballet’s dancers slip seamlessly into a vigorous, intensely modern double bill
Rambert: This Is Rambert review

Rambert: This Is Rambert review

Rambert marks its 100th birthday with a frenetic triple bill of thoroughly modern dance works
Marco da Silva Ferreira: F*cking Future review

Marco da Silva Ferreira: F*cking Future review

Portuguese rising star makes protest into a heady party
Atonement review

Atonement review

Ian McEwan’s tale of love, lust and lies loses its bite in this stage adaptation
The Ruggeds and Ghetto Funk Collective: Groove review

The Ruggeds and Ghetto Funk Collective: Groove review

Ramshackle, heartwarming funkathon from two top street-dance crews
360 Allstars review

360 Allstars review

Multinational urban circus offers smart tricks but little dynamism
Joseph Toonga: Joy Isn’t Always Joy review

Joseph Toonga: Joy Isn’t Always Joy review

Toonga explores Black lives and mental health in a piece that draws inspiration from Brazil
Royal Ballet: La Fille Mal Gardée review

Royal Ballet: La Fille Mal Gardée review

Ashton classic is the latest test for the Royal Ballet’s new Cuban principal dancer, Patricio Revé
The Dance Factory: Dada Masilo’s Hamlet review

The Dance Factory: Dada Masilo’s Hamlet review

The South African choreographer bit off more than she could chew with this dance interpretation of Shakespeare’s masterwork
Tulsa Ballet: Made in America review

Tulsa Ballet: Made in America review

The Midwestern ballet company’s blast of Americana shows range, depth and skill
Siobhan Murphy
The Stage

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