Lyn Gardner

In the rush to return to in-person performance, we must not forget how technology has made theatre more accessible, says Lyn Gardner – during the pandemic, the best digital work has engaged audiences that would never have dreamed of attending shows before

British theatre has been underfunded and operating on a wing and prayer for too long – in the end, something has to break, says Lyn Gardner

Theatre has become a money-making machine, but we have a chance to change and put our communities, freelancers and audiences first, says Lyn Gardner

It should make us uncomfortable that freelancers, the very people theatre activity relies upon, are treated least well by the sector, says Lyn Gardner

While writers, directors and set and sound designers often gains plaudits in reviews, the work of costume designers is seldom mentioned, says Lyn Gardner. But are we missing the valuable storytelling contributions these creatives are making to shows?

Ahead of his inaugural season, Rose Theatre artistic director Christopher Haydon tells Lyn Gardner of his vision to produce and originate work that showcases the space, and why the venue is the perfect fit for him

Working in the theatre can be wonderful, but not at any cost, says Lyn Gardner – we must address the pernicious working practices that damage health and narrow experience

Outdoor theatre, from Cornwall’s lovely Minack to Pitlochry’s engaging outdoor summer season, could offer a route to new audiences in these times, says Lyn Gardner

As part of The Stage’s Future of Theatre conference, the Edinburgh Festival Fringe Society’s chief executive tells Lyn Gardner about this year’s hybrid event and explains how the society is working to address issues of affordability and accessibility

Many will mourn the loss of Kneehigh and the opportunities it created for artists in Cornwall. But there is a grace in knowing when to let go, says Lyn Gardner