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Lyn Gardner

The Stage
Lyn Gardner

About Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

Recent Articles

Phone-free theatres could benefit all if policy becomes widespread

Phone-free theatres could benefit all if policy becomes widespread

The phone-free policy of some shows could be well worth adopting by more theatres, says Lyn Gardner – to the benefit of performers and audiences alike
Strategy shifts aside, money remains Arts Council England's biggest problem

Strategy shifts aside, money remains Arts Council England's biggest problem

Arts Council England may have ditched Let’s Create, but strategy shifts alone won’t solve funding woes, says Lyn Gardner
Extreme weather poses tricky questions for theatre’s long-term future

Extreme weather poses tricky questions for theatre’s long-term future

As extreme weather becomes more frequent due to the climate emergency, the industry must act fast to protect performers and audiences, says Lyn Gardner
National Theatre’s touring plans are long overdue

National Theatre’s touring plans are long overdue

The decline in touring by the National Theatre pre-dates the sector’s current squeeze. The need is urgent and the NT has the clout to help the wider ecology, says Lyn Gardner
Sita McIntosh

Sita McIntosh

As chief executive of charity Go Live Theatre, Sita McIntosh has strong views on how theatres can broaden their consumer base and reach new audiences. She tells Lyn Gardner why making theatre accessible means doing more than offering a handful of cheap tickets
Where is the standing ovation for our stage managers?

Where is the standing ovation for our stage managers?

The work of stage managers is rarely celebrated, even though many productions would fall apart without them. Lyn Gardner asks why we don’t sing their praises more loudly
Theatres lose more than a point of sale if they shut their box offices

Theatres lose more than a point of sale if they shut their box offices

While customer habits are changing in terms of booking, theatres need to remember what else box office staff bring to a building and find ways to retain that, says Lyn Gardner
Does theatre need to be more honest about its close relationship with alcohol?

Does theatre need to be more honest about its close relationship with alcohol?

Andrew Lloyd Webber’s brave admission that he is a recovering alcoholic shines a spotlight on the profession’s unhealthy reliance on booze, says Lyn Gardner
Ireland is showing basic income for artists can work – the UK should take note

Ireland is showing basic income for artists can work – the UK should take note

A country that punches above its weight in the art it produces must support those artists, says Lyn Gardner – the UK misunderstands this to its own detriment
Touring is in a critical state – it’s time for a reset

Touring is in a critical state – it’s time for a reset

The touring sector is in ‘steep decline’ according to a recent ACE report, says Lyn Gardner, but that won’t change unless venues see a value in plays
Why have we normalised the idea of being miserable for your art?

Why have we normalised the idea of being miserable for your art?

The shocking findings of a recent Actors’ Trust report on the industry’s mental health should spark an intervention, says Lyn Gardner – but it probably won’t
As regional theatre coverage sadly narrows, let’s hear it for the local critics

As regional theatre coverage sadly narrows, let’s hear it for the local critics

Regional theatre thrives beyond London – but shrinking coverage risks rendering it invisible. Local critics like Tracey Sinclair matter more than ever, says Lyn Gardner
ACE can only genuinely change if its relationship with artists matures

ACE can only genuinely change if its relationship with artists matures

Arts Council England says it wants to change, following the findings of the Hodge report – but that’s easier said than done, says Lyn Gardner
‘Dance, otherwise we are lost’: Bausch’s words are a rallying cry for the arts

‘Dance, otherwise we are lost’: Bausch’s words are a rallying cry for the arts

Lyn Gardner reflects on the words of iconic choreographer Pina Bausch, and how dance can hold a transformative power – both personally and politically
Dancers Network: the advocacy body pushing for change in commercial dance

Dancers Network: the advocacy body pushing for change in commercial dance

Dancer Li Li Hodge tells Lyn Gardner how the volunteer-run organisation she co-founded is transforming the commercial dance sector
Lyn Gardner
The Stage

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