How can I move my Edinburgh Fringe show online?

Long Reads by Lyn Gardner

Slow road: How Scottish theatre is finally on the way back post-Covid

Two thirds of people believe culture improves their area – new research

Hybrid engine: How the Edinburgh Fringe hopes to roar back in 2021

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

People are more important than art. Theatre must do more to protect them

How can we support freelancers? Give them salaries and a seat at the table

Theatre has become a money-making machine. We have a chance to change

Covid passports are on their way, but will there be any theatre left to watch?

Rules have been relaxed but the crisis for theatre still has a long way to go

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Recommended for you

Mark Ravenhill and Hannah Price appointed King's Head artistic directors

Two thirds of people believe culture improves their area – new research

Hybrid engine: How the Edinburgh Fringe hopes to roar back in 2021

Come from Away film to be broadcast in September

News by Matthew Hemley

John Byrne

John Byrne is careers adviser for The Stage and is also a writer, cartoonist, performer and broadcaster

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Opinion

Latest
Most Read

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

People are more important than art. Theatre must do more to protect them

Women want to express their trauma in their art – we're writing the changes we want to see

Look closely across Scotland and you’ll find artists revolutionising theatre

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Advice

Scenic art lecturer Gary Fry: 'Trust in your judgement and don’t stop learning'

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

What are the options for drama training in Scotland?

by Thom Dibdin

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

Customer Experience Team Mem...

Mark Ravenhill and Hannah Price appointed King's Head artistic directors

Playwright Mark Ravenhill and Theatre Uncut founder Hannah Price have been appointed joint artistic directors at London’s King’s Head Theatre

Mark Ravenhill and Hannah Price appointed King's Head artistic directors

Playwright Mark Ravenhill and Theatre Uncut founder Hannah Price have been appointed joint artistic directors at London’s King’s Head Theatre

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Mark Ravenhill and Hannah Price appointed King's Head artistic directors

Long Reads by Lyn Gardner

Slow road: How Scottish theatre is finally on the way back post-Covid

Two thirds of people believe culture improves their area – new research

Hybrid engine: How the Edinburgh Fringe hopes to roar back in 2021

Advice

Scenic art lecturer Gary Fry: 'Trust in your judgement and don’t stop learning'

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

What are the options for drama training in Scotland?

by Thom Dibdin

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

Recommended for you

Mark Ravenhill and Hannah Price appointed King's Head artistic directors

Long Reads by Lyn Gardner

Slow road: How Scottish theatre is finally on the way back post-Covid

Two thirds of people believe culture improves their area – new research

Hybrid engine: How the Edinburgh Fringe hopes to roar back in 2021