Welcome! This is your first free article. Get more free articles when you sign up with your email.

Carmen

“Disappointingly monochrome”
FacebookTwitterLinkedIn

Barrie Kosky’s Carmen, returning to the Royal Opera House for the third time, rebels against the opera’s traditional 19th century Spanish visuals. This is no surprise – the 2016 production originated in regietheater-steeped Frankfurt. Out go realistic representations of a cigarette factory, gypsy bar and bullring, replaced by designer Katrin Lea Tag’s stark staircase and monochrome costumes. But if the aim is to focus on the drama rather than picture-postcard trappings, the dramatic performances need to be correspondingly stronger.

Only Anaïk Morel’s Carmen is up to the challenge, a mesmerising cocktail of cherubic innocence, sexiness and danger. The rest of the cast make little impact, unaided by the disembodied narration that replaces the work’s spoken dialogue. Narrative flow is destroyed, reducing the opera to a series of disconnected tableau.

Kosky’s substitute for an interesting set is an increased dance element, but despite the giant staircase there are no Busby Berkeley showstoppers. Otto Pichler has choreographed a conceptual, often subversive ballet. The seductive bohemian dance is subtly captivating, but Bizet’s effervescent quintet is ruined by the incongruous dancers’ deranged mimed laughter.

The overall impression is of cold detachment. Kosky’s shameless disrespect for the work is confirmed by the feeble shoulder-shrug ending.

Musically, things are more successful. Complementing Morel’s rich-voiced gypsy heroine are Ailyn Perez’s impassioned Micaela, Bryan Hymel’s fluently powerful Don Jose and Luca Pisaroni’s suave Escamillo. Julia Jones conducts with terrific zest, equally attuned to the Offenbachian sparkle and dark intensity of Bizet’s greatest score. The ROH orchestra and chorus are superb.

Carmen director Barrie Kosky: ‘I love operetta – It’s more like Dada than pantomime’


Related to this Review

Boris GodunovBoris Godunov

Production Details
Production nameCarmen
VenueRoyal Opera House
LocationLondon
StartsJune 24, 2019
EndsJuly 20, 2019
Running time3hrs 15mins
ComposerGeorges Bizet
DirectorBarrie Kosky, Julia Burbach
ConductorJulia Jones
Set designerKatrin Lea Tag
Lighting designerJoachim Klein
CastAilyn Perez, Anaïk Morel, Bryan Hymel, Luca Pisaroni
ProducerRoyal House
VerdictDisappointingly monochrome vision of Bizet’s colourful opera
FacebookTwitterLinkedIn
Add New Comment
You must be logged in to comment.

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube