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Beauty and the Beast

“Handsome visuals”
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Beauty and the Beast is a fairytale with substance and a message – that real beauty lies within a person.

The opening scene sees a handsome, but arrogant, prince (Ben Richards is an impressive stage presence) turn into the epitome of facial ugliness when he dismisses a penniless old woman.

In true pantomime tradition, she transforms into a lovely young Enchantress (Joanna O’Hare), who becomes the moral compass of the tale. Cut to the pretty home town of Belle (Georgia Lennon), her batty inventor father Paddy (Paddy Jenkins) and the eccentric Mrs Potty (May McFettridge), housekeeper to the prince.

The virtuous Belle, nicely played by newcomer Lennon, is the unwilling object of leering Flash Harry’s (Danny Bayne) affections, but her heart soon turns in an unexpected direction when she trades her freedom for her father’s.

Qdos Entertainment guarantees high production values, visual spectacle and strong musical content. But Mandy Muden’s magician struggles to connect with the audience and a series of random sketch routines divert from the storyline.

Jenkins and McFettridge stumble over lines and frequently digress into comic ad lib territory. However, the more they do this, the more their Belfast fans love them.

Beauty and the Beast review at Motherwell Theatre – ‘a stand-out performance from Ian ‘Sheepie’ Smith’


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Production Details
Production nameBeauty and the Beast
VenueGrand Opera House
LocationBelfast
StartsNovember 30, 2019
EndsJanuary 12, 2020
Running time2hrs 10mins
AuthorAlan Mchugh
DirectorAndrew Ryan
Musical directorMark Dougherty
ChoreographerElliot Nixon
Costume designerMike Coltman
Lighting designerMatt Clutterham
Sound designerNick Sagar
Video designerThe Twins Fx
CastBen Richards, Danny Bayne, Georgia Lennon, Joanna O’Hare, Mandy Muden, May Mcfettridge, Paddy Jenkins
Production managerGu Ongley
Stage managerPaul Johnson
ProducerQdos
VerdictHandsome visuals and great music are diminished by a wavering narrative
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Jane Coyle

Jane Coyle

Jane Coyle

Jane Coyle

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