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Natasha Tripney

International Editor

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Why festivals remain invaluable for early-career artists

Serbia’s cultural censorship battle must not go under the radar

Croydonites festival proves the need for bold theatre, not cheap punchlines

Opinion

Latest
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Theatre must use collective creativity to solve its sponsorship problem

Tom Stoppard wasn’t always embraced by our industry

AI and the audition process: a casting director’s take

What does the return of Scott Rudin mean amid Broadway’s financial woes?

Theatre can provide the feeling of connection for everyone

Tom Stoppard’s genius underlines what we now risk losing

Alan Cumming’s salary sacrifice could set a concerning precedent

11 things your agent won’t tell you, but wishes you knew

Put the joy back into theatremaking to stop the talent drain

A new era for The Stage in print

Don’t obsess over converting panto audiences into regular theatregoers

New plays are the engine of our sector – we must give them fuel

Natasha Tripney

International Editor

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

More from this author

Why festivals remain invaluable for early-career artists

Serbia’s cultural censorship battle must not go under the radar

Croydonites festival proves the need for bold theatre, not cheap punchlines

Theatre must use collective creativity to solve its sponsorship problem

Tom Stoppard wasn’t always embraced by our industry

AI and the audition process: a casting director’s take

What does the return of Scott Rudin mean amid Broadway’s financial woes?

Theatre can provide the feeling of connection for everyone

Tom Stoppard’s genius underlines what we now risk losing

New plays are the engine of our sector – we must give them fuel

AI and the audition process: a casting director’s take

It’s time for dance to stop surviving and start thriving

I’ve seen how Kyiv’s theatre scene is responding to Russia’s brutal war

Tom Stoppard wasn’t always embraced by our industry

What does the return of Scott Rudin mean amid Broadway’s financial woes?

Advice

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

Who needs drama school anyway?

by John Byrne

Applied theatre: what is it and is it the right path for you?

by Samantha Marsden

Harry Mould wins 2025 Alfred Fagon Award

The £6,000 prize has been run in memory of playwright Alfred Fagon since 1997, recognising the best new play by a black British writer annually

Harry Mould wins 2025 Alfred Fagon Award

The £6,000 prize has been run in memory of playwright Alfred Fagon since 1997, recognising the best new play by a black British writer annually

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More about this organisation

The House of Shades review

Reviews by Farah Najib

The Chairs review

Reviews by Ava Wong Davies

Almeida confirms new dates for "Daddy" and The House of Shades

Production News by Georgia Snow

Lost Origin

Reviews by Dave Fargnoli

Advice

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

Who needs drama school anyway?

by John Byrne

Applied theatre: what is it and is it the right path for you?

by Samantha Marsden

RSC plans to reduce headcount by 11% and merge costume departments

The Stage Awards 2026: nominees in full

National Theatre highlights dynamic pricing as ‘exciting’ area for investment

Ex-Royal Ballet dancer vying to become next House of Lords speaker

RSC planning to cut in-house musicians under cost-cutting plans

Paddington the Musical review

Paddington the Musical at the Savoy Theatre – review round-up

Theatre company formed to honour ‘rebellious’ first female RSC director

Equity pursues ‘bold’ claims for pay increases and five-day rehearsal weeks

New plays are the engine of our sector – we must give them fuel

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Top 5 theatre shows to see this week (June 11-17)

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