Theatre may be changed forever, but we are strong enough to cope

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Shona McCarthy: ‘Edinburgh Fringe’s philosophy has to be artist-centred’

Kneehigh’s loss is sad, but there is a grace in knowing when to let go

Safeguarding training is the key to protecting theatre’s most vulnerable

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Show us the data: if theatres aren't safe, we need to know

Will In the Heights buck the trend and be a Broadway-to-Hollywood success?

Kneehigh’s loss is sad, but there is a grace in knowing when to let go

Was NT's Hex announcement another example of theatre's nepotism problem?

New York's Drama Book Shop is reborn

Make a Difference Trust: A loss and a legacy that must not be forgotten

Was NT's Hex announcement another example of theatre's nepotism problem?

Kneehigh’s loss is sad, but there is a grace in knowing when to let go

Will In the Heights buck the trend and be a Broadway-to-Hollywood success?

Show us the data: if theatres aren't safe, we need to know

Can Emma Rice hit new Heights with Brontë adaptation?

New York's Drama Book Shop is reborn

Advice

Actor Dominic Ryan: 'My first job taught me not to worry about what you can't control'

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The Stage/Italia Conti scholarship winner 2021

by Paul Vale

How are drama schools broadening their curriculums for today’s students?

by John Byrne

Shona McCarthy: ‘Edinburgh Fringe’s philosophy has to be artist-centred’

As part of The Stage’s Future of Theatre conference, the Edinburgh Festival Fringe Society’s chief executive tells Lyn Gardner about this year’s hybrid event and explains how the society is working to address issues of affordability and accessibility

West End must do more to engage local young people – Julian Bird

West End theatres must do more to engage young people from their local communities in the arts and show them the range of jobs on offer, Society of London Theatre chief executive Julian Bird has claimed

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Theatre may be changed forever, but we are strong enough to cope

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