Theatre may be changed forever, but we are strong enough to cope

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

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15 things I won’t forget about 2020 and its impact on theatre

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525,600 minutes later, US theatre still waits to reopen

Opinion by Howard Sherman

Portsmouth's Kings Theatre to resurrect cancelled panto in the summer

Production News by Georgia Snow

New performance space to open in Derry/Londonderry

News by Giverny Masso

Six announces return to West End in May

Production News by Matthew Hemley

525,600 minutes later, US theatre still waits to reopen

The challenge for fringe festivals post-Covid will be not to sacrifice creativity

We need to reshape the industry. Here are some ideas for how to start

Is history repeating itself with the V&A and the Theatre Museum collection?

ENO’s new Ring Cycle is a bold statement and will not be one to miss

Innovation is nothing new to theatre – so let’s take digital risks

Is it time to think differently about theatre buildings?

At a time of desperate need, theatres overlook local talent at their peril

Seyi Omooba tribunal result is a huge relief, but not a cause for celebration

The BBC’s ‘greatest songs from musicals’ poll contained some telling omissions

Risky business: how will we know when it’s ‘safe’ to return to theatres?

We must help drama teachers prove the undeniable value of arts in education

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525,600 minutes later, US theatre still waits to reopen

Opinion by Howard Sherman

Portsmouth's Kings Theatre to resurrect cancelled panto in the summer

Production News by Georgia Snow

New performance space to open in Derry/Londonderry

News by Giverny Masso

Six announces return to West End in May

Production News by Matthew Hemley

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Will Covid stub out the tangible thrill of tickets and the history they bring?

At a time of desperate need, theatres overlook local talent at their peril

Is it time to think differently about theatre buildings?

Opinion

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Most Read

525,600 minutes later, US theatre still waits to reopen

The challenge for fringe festivals post-Covid will be not to sacrifice creativity

We need to reshape the industry. Here are some ideas for how to start

Is history repeating itself with the V&A and the Theatre Museum collection?

ENO’s new Ring Cycle is a bold statement and will not be one to miss

Innovation is nothing new to theatre – so let’s take digital risks

Will Covid stub out the tangible thrill of tickets and the history they bring?

We need to reshape the industry. Here are some ideas for how to start

Is history repeating itself with the V&A and the Theatre Museum collection?

ENO’s new Ring Cycle is a bold statement and will not be one to miss

Our community work at the Donmar is as important as anything on our stage

Innovation is nothing new to theatre – so let’s take digital risks

Advice

What does the future of dance training look like post-Brexit?

by Sarah Lambie

Video artist Paula Varjack: ‘After a temporary role, I had to re-interview for my own position’

by John Byrne

ICMT principal Kenneth Avery-Clark: ‘Learn about business and treat yourself as one’

by John Byrne

Win free training at Fourth Monkey with The Stage Scholarships

by Paul Vale

525,600 minutes later, US theatre still waits to reopen

A year on from theatres across the United States shutting down – a year of love, uncertainty, pain and loss – a few more months of fortitude and patience are still needed until the economic devastation on the theatrical workforce will abate, says Howard Sherman

English National Opera to sell north London rehearsal studios

English National Opera is selling its historic rehearsal studios in north London as it looks for more “flexible and modern” facilities

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UK Wide £32,615

Theatre may be changed forever, but we are strong enough to cope

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