The loss of theatre businesses such as the Corner Shop in London should worry us all

Race and theatre criticism | We need critical change

The Stage’s Future of Theatre conference offers free tickets for freelancers

Race and theatre criticism | Emmanuel Kojo: Why I’m no longer talking about colour in the arts without active change

Theatre has made progress on race – critics need to catch up

Theatre's return is an opportunity for joy, but also reflection

Bond farewells: Screen trumps stage, even in death

In 2021, theatre has a chance to cement the revolution begun in the 1960s

Could cinema and theatre regain lost audiences with local collaboration?

It’s time to champion disabled theatre talent with an inclusive recovery

Don’t give us a break – intervals are an outmoded, unnecessary theatre convention

Bond farewells: Screen trumps stage, even in death

Scott Rudin claims pose major test for West End

In the best retellings of Cinderella, the element of surprise stands out

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

Is Trafalgar Entertainment set to become ATG Mark II?

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Theatre has made progress on race – critics need to catch up

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The Stage’s Future of Theatre conference offers free tickets for freelancers

Race and theatre criticism | Emmanuel Kojo: Why I’m no longer talking about colour in the arts without active change

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

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Opinion

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Theatre has made progress on race – critics need to catch up

Theatre's return is an opportunity for joy, but also reflection

Bond farewells: Screen trumps stage, even in death

In 2021, theatre has a chance to cement the revolution begun in the 1960s

Could cinema and theatre regain lost audiences with local collaboration?

It’s time to champion disabled theatre talent with an inclusive recovery

Bond farewells: Screen trumps stage, even in death

In 2021, theatre has a chance to cement the revolution begun in the 1960s

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

It’s time to champion disabled theatre talent with an inclusive recovery

The rise and rise of Liam Scarlett

Advice

Polka’s Peter Glanville: ‘Every child should have access to creative activities’

Mark Thomas: ‘My first gig was a disaster – I watched myself die in the mirror’

Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'

How will drama schools operate summer courses in 2021?

by Samantha Marsden

Anthropocene: The Human Era

GymJam Theatre’s smart interrogation of the climate crisis annotates it in a startling, affecting way but lacks urgency

RSC unveils details of outdoor theatre for reopening season

The Royal Shakespeare Company has unveiled further plans for a 500-seat outdoor theatre, in which it will restart live performances in July.

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Theatre has made progress on race – critics need to catch up

Race and theatre criticism | We need critical change

The Stage’s Future of Theatre conference offers free tickets for freelancers

Race and theatre criticism | Emmanuel Kojo: Why I’m no longer talking about colour in the arts without active change

Advice

Polka’s Peter Glanville: ‘Every child should have access to creative activities’

Mark Thomas: ‘My first gig was a disaster – I watched myself die in the mirror’

Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'

How will drama schools operate summer courses in 2021?

by Samantha Marsden

Recommended for you

Theatre has made progress on race – critics need to catch up

Race and theatre criticism | We need critical change

The Stage’s Future of Theatre conference offers free tickets for freelancers

Race and theatre criticism | Emmanuel Kojo: Why I’m no longer talking about colour in the arts without active change