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Richard Jordan

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The Adelaide Festival can emerge stronger from Writers’ Week crisis

Commemorating the greatest musical flop 30 years on

Why aren’t theatre’s best and wisest lines more widely quoted?

Scots review

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Barnum review

Reviews by Paul ValeTheatre Royal Brighton

Boy George among six actors to share Herod role in Jesus Christ Superstar

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Producer ignites debate about West End concerts following disappointing sales

News by Katie Chambers

We are facing a quiet erosion of diversity in the arts

Ten things I've learned from teaching Gen-Z acting students

BAFTA incident exposes the need for more relaxed theatre performances

Timothée Chalamet has bitten the hand that feeds him

Risk-taking is essential to make theatre that matters

Olivier nominations 2026 – who missed out?

Dracula's uneasy first bite is a warning not to take preview audiences for suckers

Devyani Saltzman’s Barbican exit is part of a depressing trend

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Olivier nominations 2026 – who missed out?

Timothée Chalamet has bitten the hand that feeds him

Gender-biased reviews prevent us from seeing women writers’ reality

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Richard Jordan

Richard Jordan is an award-winning UK and international theatre producer. He has been a regular contributor to The Stage since 2005. Read Richard's latest column for The Stage every Thursday.

More from this author

The Adelaide Festival can emerge stronger from Writers’ Week crisis

Commemorating the greatest musical flop 30 years on

Why aren’t theatre’s best and wisest lines more widely quoted?

Opinion

Latest
Most Read

We are facing a quiet erosion of diversity in the arts

Ten things I've learned from teaching Gen-Z acting students

BAFTA incident exposes the need for more relaxed theatre performances

Timothée Chalamet has bitten the hand that feeds him

Risk-taking is essential to make theatre that matters

Olivier nominations 2026 – who missed out?

Timothée Chalamet has bitten the hand that feeds him

Olivier nominations 2026 – who missed out?

Ten things I've learned from teaching Gen-Z acting students

We are facing a quiet erosion of diversity in the arts

Risk-taking is essential to make theatre that matters

Reese Witherspoon is right – but talent doesn’t grow without opportunity

Advice

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

by John Byrne

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

by John Byrne

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

Theatre for One review

Intensely intimate one-on-one theatrical experience is well worth queuing for

Birmingham Rep mulls recorded music instead of live musicians for The Snowman

Birmingham Rep is considering the use of recorded music instead of live musicians for its new production of The Snowman later this year, The Stage understands