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Singer Renée Fleming: ‘Music is a form of social cohesion – a way of holding us together’

Mark Shenton: I bid you so long, farewell, auf wiedersehen, goodbye

Opinion

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Momentum for new work depends on connectivity – across the whole industry

It’s not just the big guns who can give back to the theatre community

Critics do more for theatre than generate ticket sales

Paddington is bearing more than its share of expectation on Broadway

What could the government’s freelance champions achieve in their first six months?

Theatre must urgently address inequalities, drama in schools campaign reminds us

How much is an actor’s social media presence worth?

Five takeaways from Phantom’s 40th gala celebrations

LIFT’s English showcase could be a much-needed boost for theatre exports

Critics do more for theatre than generate ticket sales

Why do politicians think the arts are dispensable?

It’s not just the big guns who can give back to the theatre community

Mark Shenton

Mark Shenton is a theatre critic. He was a regular columnist and associate editor of The Stage until 2019.

More from this author

Singer Renée Fleming: ‘Music is a form of social cohesion – a way of holding us together’

Mark Shenton: I bid you so long, farewell, auf wiedersehen, goodbye

Momentum for new work depends on connectivity – across the whole industry

It’s not just the big guns who can give back to the theatre community

Critics do more for theatre than generate ticket sales

Paddington is bearing more than its share of expectation on Broadway

What could the government’s freelance champions achieve in their first six months?

Theatre must urgently address inequalities, drama in schools campaign reminds us

Critics do more for theatre than generate ticket sales

It’s not just the big guns who can give back to the theatre community

Paddington is bearing more than its share of expectation on Broadway

Momentum for new work depends on connectivity – across the whole industry

What could the government’s freelance champions achieve in their first six months?

Theatre must urgently address inequalities, drama in schools campaign reminds us

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by Holly O'Mahony

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Cloud 9 at the National Theatre – review round-up

Dominic Cooke returns to the South Bank to revive Caryl Churchill’s 1979 play, but does its impossible study of sex and gender down the ages still captivate the critics? Fergus Morgan rounds up the reviews

EdFringe increases artist registration fee for first time in two decades

The Edinburgh Festival Fringe Society has increased its registration fees for artists for the first time in 20 years

Latest Issue

The Stage Magazine - November 2026

The Stage Debut Awards 2026 The winners of the ninth annual The Stage Debut Awards revealed
The Stage: On Tour Our team travels to Birmingham
The Stage Interview Helen Edmundson, Blanche McIntyre & Anne-Marie Duff
My Favourite Play Simon Russell Beale

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