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Claire Seymour

Lecturer
Claire Seymour

Email

claire.offscoreonstage@gmail.com

About Claire Seymour

Claire Seymour is an associate lecturer in Music and English Literature at the Open University. She is an independent scholar, writer and musician. 

Recent Articles

La Cenerentola review

La Cenerentola review

Delightful feast of vocal virtuosity and comic verve as part of the Grimeborn Opera Festival at Arcola Theatre, London
Akhnaten review

Akhnaten review

Startlingly modern and troubling production with spectacular imagery and stagecraft
Céphale et Procris review

Céphale et Procris review

Musical and dramatic integrity spiced with invention
The Human Voice review

The Human Voice review

Soprano Natalia Lemercier takes Poulenc and Cocteau’s distressed Elle on an emotional rollercoaster
The Cunning Little Vixen review

The Cunning Little Vixen review

Engaging production of Janáček’s opera, directed by Eleanor Burke, is mischievous and poignant
Sir John in Love review

Sir John in Love review

This glowing production puts emphasis on lively ensembles for the colourful characters of the classic opera
Spell Book and La liberazione di Ruggiero dall’isola d’Alcina review

Spell Book and La liberazione di Ruggiero dall’isola d’Alcina review

The cast of Longborough Festival Opera’s Emerging Artist double bill celebrating womanhood and witchcraft sings with commitment but the production fails to cast its spell
Fool Moon review

Fool Moon review

Bampton Classical Opera’s Gilly French brings a pithy new translation of Joseph Haydn’s Il mondo della luna
The Blue Woman review

The Blue Woman review

A provocative embodiment of harm and healing
The Excursions of Mr Brouček review

The Excursions of Mr Brouček review

This fascinating opera draws impressive performances and exhilarating rhapsodies from the BBC Concert Orchestra
La Bohème review

La Bohème review

Spirited, sincere and unsentimental, James Conway’s production of ETO’s opera hit all the right notes at Hackney Empire
Mami Wata

Mami Wata

The Engender Festival concludes with a programme of disparate voices, projecting power and hope, curated by Pegasus Opera’s Alison Buchanan
Così Fan Tutte

Così Fan Tutte

Director Sam Brown’s carefree production of Mozart’s opera, conducted by Lesley Anne Sammons, is rewardingly reinvented
La Bohème

La Bohème

Grange Park Opera’s compelling production of Puccini’s opera encompasses larkiness and loneliness
In the Market for Love (or Onions are Forever)

In the Market for Love (or Onions are Forever)

Glyndebourne’s Offenbach adaptation, In the Market for Love, moves indoors for October, bringing some brightness into the prevailing gloom
Claire Seymour

Email

claire.offscoreonstage@gmail.com
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