Other jobs will restart sooner, but I can’t wait to see my theatre family

Theatremaker and podcaster Koko Brown: ‘I want to be in power one day – to have power and empower others’

Hip-hop group Just Us Dance Theatre sets up apprenticeship company

Global-majority artists are still hitting the wall – we need to grow our careers

Global-majority artists are still hitting the wall – we need to grow our careers

Data can help theatre tackle inequality, but beware over-optimistic claims

Will Diana musical usher in a new era of stage and screen partnerships?

Vaccine passports could help theatres reopen, but care and clarity are crucial

Too old to play Hamlet? Our long theatre history suggests otherwise

Will the West End’s key players follow Liverpool’s lead to win back audiences?

Don’t give us a break – intervals are an outmoded, unnecessary theatre convention

In the best retellings of Cinderella, the element of surprise stands out

The play’s the thing: why Ian McKellen’s age-blind Hamlet is no gimmick

It’s high time we flipped the board on those with a monopoly on the industry

It is time to bring theatre out of the Victorian era – our outdated models do not support freelancers

Is Trafalgar Entertainment set to become ATG Mark II?

Recommended for you

Strive Collective: ‘We wanted to create something entertaining, joyful and meaningful’

Theatremaker and podcaster Koko Brown: ‘I want to be in power one day – to have power and empower others’

Hip-hop group Just Us Dance Theatre sets up apprenticeship company

Global-majority artists are still hitting the wall – we need to grow our careers

Katie Jackson

Katie Jackson is a freelance deputy stage manager and The Stage columnist

More from this author

Leaving (for now) is a wrench, but I’ll stay part of theatre’s great community

In our rush to return, let’s not accept sub-standard working conditions

Covid has left us questioning life decisions but it’s given us the gift of time

Opinion

Latest
Most Read

Global-majority artists are still hitting the wall – we need to grow our careers

Data can help theatre tackle inequality, but beware over-optimistic claims

Will Diana musical usher in a new era of stage and screen partnerships?

Vaccine passports could help theatres reopen, but care and clarity are crucial

Too old to play Hamlet? Our long theatre history suggests otherwise

Will the West End’s key players follow Liverpool’s lead to win back audiences?

In the best retellings of Cinderella, the element of surprise stands out

Will the West End’s key players follow Liverpool’s lead to win back audiences?

Too old to play Hamlet? Our long theatre history suggests otherwise

Data can help theatre tackle inequality, but beware over-optimistic claims

Vaccine passports could help theatres reopen, but care and clarity are crucial

Touring is theatre’s lifeblood, so we must protect it by supporting freelancers

Advice

Actor Oliver Dimsdale: ‘I loved every second of my first job’

Lecturer Vanessa Coffey: ‘I would love intimacy coordinators to become standard practice’

Head of design Angela Davies: ‘It’s useful to be able to sketch your idea on a serviette’

Actor Riley Clark: ‘My first job in panto taught me a lot about stamina’

Venue Technician (Stage Engi...

Strive Collective: ‘We wanted to create something entertaining, joyful and meaningful’

In lockdown, Deaf theatremakers Clare-Louise English and Sophie Stone launched video-podcast series The Green Room. They tell us how it celebrates Deaf and disabled artists and raises awareness about access requirements

Mercury Theatre Colchester launches director and producer development programmes

The Mercury Theatre Colchester has announced a series of talent development programmes for directors and producers in the east of England

Jobs

London £32,000

Technical and Building Manager

Oxford

Assistant Operations (SWB26 ...

Bristol £23,160 (pro rata)

Production Technicians

London

Theatre Director

Birmingham £40-50k

Theatre Manager (maternity c...

Birmingham

Assistant Operations (SWB28)

Bristol £23,160

Head of Lighting

Perth, Scotland £29,000

Theatre Teacher

London

Deputy Technical Manager

Bexhill on Sea, East Sussex £26,250

Deputy Head of Lighting

London £28,971

Company Members Required (Li...

Skye Bridge , Scotland

Artistic Director (Live-in)

Skye Bridge , Scotland

Associate Designer

London Negotiable dependin...

Marketing Executive

London £25,000

Stripper Character - doesn't...

Castings

Hackney Paid

Hackney Paid

Hackney Paid

Bartender/ Security Undercov...

Hackney Paid

Peter Rabbit in The Tale of ...

Romford Paid

Various Roles in The Tale of...

Romford Paid

Dancers in Message in a Bottle

Touring Paid

Ayesha in Story Group - Work...

West London Paid

The Hijabi in ‘Hijabis’ Musi...

Sheffield Paid

One Eye-Patched in A Magical...

Southampton Paid

Cook in A Magical Pirate Adv...

Southampton Paid

Male Dancers in A Magical Pi...

Southampton Paid

Amy in Story Group - Working...

West London Paid

Jack in Story Group - Workin...

West London Paid

Kareem in Story Group - Work...

West London Paid

Strive Collective: ‘We wanted to create something entertaining, joyful and meaningful’

Theatremaker and podcaster Koko Brown: ‘I want to be in power one day – to have power and empower others’

Hip-hop group Just Us Dance Theatre sets up apprenticeship company

Global-majority artists are still hitting the wall – we need to grow our careers

Advice

Actor Oliver Dimsdale: ‘I loved every second of my first job’

Lecturer Vanessa Coffey: ‘I would love intimacy coordinators to become standard practice’

Head of design Angela Davies: ‘It’s useful to be able to sketch your idea on a serviette’

Actor Riley Clark: ‘My first job in panto taught me a lot about stamina’

Recommended for you

Strive Collective: ‘We wanted to create something entertaining, joyful and meaningful’

Theatremaker and podcaster Koko Brown: ‘I want to be in power one day – to have power and empower others’

Hip-hop group Just Us Dance Theatre sets up apprenticeship company

Global-majority artists are still hitting the wall – we need to grow our careers