Natasha Tripney: Why sky high theatre bar prices are more than just a pain in the wallet

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Natasha Tripney

Reviews Editor

Natasha is The Stage's reviews editor and joint lead critic.

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Natasha Tripney

Reviews Editor

Natasha is The Stage's reviews editor and joint lead critic.

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Will Diana musical usher in a new era of stage and screen partnerships?

Vaccine passports could help theatres reopen, but care and clarity are crucial

Too old to play Hamlet? Our long theatre history suggests otherwise

Will the West End’s key players follow Liverpool’s lead to win back audiences?

In the best retellings of Cinderella, the element of surprise stands out

Touring is theatre’s lifeblood, so we must protect it by supporting freelancers

In the best retellings of Cinderella, the element of surprise stands out

Touring is theatre’s lifeblood, so we must protect it by supporting freelancers

Will the West End’s key players follow Liverpool’s lead to win back audiences?

Too old to play Hamlet? Our long theatre history suggests otherwise

Vaccine passports could help theatres reopen, but care and clarity are crucial

Don’t give us a break – intervals are an outmoded, unnecessary theatre convention

Advice

Actor Oliver Dimsdale: ‘I loved every second of my first job’

by John Byrne

Lecturer Vanessa Coffey: ‘I would love intimacy coordinators to become standard practice’

by John Byrne

Head of design Angela Davies: ‘It’s useful to be able to sketch your idea on a serviette’

by John Byrne

Actor Riley Clark: ‘My first job in panto taught me a lot about stamina’

by John Byrne

Programme revealed for 2021 Norfolk and Norwich Festival

Duckie, Javaad Alipoor and a programme from Without Walls will feature in the 2021 Norfolk and Norwich Festival

Programme revealed for 2021 Norfolk and Norwich Festival

Duckie, Javaad Alipoor and a programme from Without Walls will feature in the 2021 Norfolk and Norwich Festival

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Advice

Actor Oliver Dimsdale: ‘I loved every second of my first job’

by John Byrne

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Head of design Angela Davies: ‘It’s useful to be able to sketch your idea on a serviette’

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Actor Riley Clark: ‘My first job in panto taught me a lot about stamina’

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Natasha Tripney: Why sky high theatre bar prices are more than just a pain in the wallet

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