Natasha Tripney: After the Edinburgh 2019 comedown, we should ask – what would a kinder festival look like?

Edinburgh Fringe confirms return with registration opening in May

Mental well-being of offstage workers to be focus of webinar series

Edinburgh Festival Fringe Society appoints Benny Higgins as chair

In 2021, theatre has a chance to cement the revolution begun in the 1960s

Could cinema and theatre regain lost audiences with local collaboration?

It’s time to champion disabled theatre talent with an inclusive recovery

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

As theatre returns to normal(ish), freelancers deserve better working conditions

Don’t give us a break – intervals are an outmoded, unnecessary theatre convention

In the best retellings of Cinderella, the element of surprise stands out

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

Is Trafalgar Entertainment set to become ATG Mark II?

Why do so many newspaper columnists love to hate theatre?

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Edinburgh Fringe confirms return with registration opening in May

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Natasha Tripney

Reviews Editor

Natasha is The Stage's reviews editor and joint lead critic.

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Opinion

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In 2021, theatre has a chance to cement the revolution begun in the 1960s

Could cinema and theatre regain lost audiences with local collaboration?

It’s time to champion disabled theatre talent with an inclusive recovery

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

As theatre returns to normal(ish), freelancers deserve better working conditions

Scott Rudin claims pose major test for West End

In 2021, theatre has a chance to cement the revolution begun in the 1960s

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

It’s time to champion disabled theatre talent with an inclusive recovery

Could cinema and theatre regain lost audiences with local collaboration?

The rise and rise of Liam Scarlett

Advice

Polka’s Peter Glanville: ‘Every child should have access to creative activities’

Mark Thomas: ‘My first gig was a disaster – I watched myself die in the mirror’

Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'

Digital Production Manager.

How will drama schools operate summer courses in 2021?

by Samantha Marsden

Life of Pi confirms West End transfer dates

Life of Pi has confirmed it will transfer to the West End this autumn after being delayed by the pandemic, and will begin performances in November.

Life of Pi confirms West End transfer dates

Life of Pi has confirmed it will transfer to the West End this autumn after being delayed by the pandemic, and will begin performances in November.

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Mark Thomas: ‘My first gig was a disaster – I watched myself die in the mirror’

Edinburgh Fringe confirms return with registration opening in May

Mental well-being of offstage workers to be focus of webinar series

Edinburgh Festival Fringe Society appoints Benny Higgins as chair

Advice

Polka’s Peter Glanville: ‘Every child should have access to creative activities’

Mark Thomas: ‘My first gig was a disaster – I watched myself die in the mirror’

Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'

How will drama schools operate summer courses in 2021?

by Samantha Marsden

Recommended for you

Mark Thomas: ‘My first gig was a disaster – I watched myself die in the mirror’

Edinburgh Fringe confirms return with registration opening in May

Mental well-being of offstage workers to be focus of webinar series

Edinburgh Festival Fringe Society appoints Benny Higgins as chair