Lyn Gardner: Are we brave enough to stage work that challenges young people?

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Will Covid stub out the tangible thrill of tickets and the history they bring?

At a time of desperate need, theatres overlook local talent at their peril

Is it time to think differently about theatre buildings?

Opinion

Latest
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525,600 minutes later, US theatre still waits to reopen

The challenge for fringe festivals post-Covid will be not to sacrifice creativity

We need to reshape the industry. Here are some ideas for how to start

Is history repeating itself with the V&A and the Theatre Museum collection?

ENO’s new Ring Cycle is a bold statement and will not be one to miss

Innovation is nothing new to theatre – so let’s take digital risks

We need to reshape the industry. Here are some ideas for how to start

Will Covid stub out the tangible thrill of tickets and the history they bring?

Is history repeating itself with the V&A and the Theatre Museum collection?

ENO’s new Ring Cycle is a bold statement and will not be one to miss

Our community work at the Donmar is as important as anything on our stage

Innovation is nothing new to theatre – so let’s take digital risks

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Audrey Niffenegger: 'I wasn't told about Time Traveller's musical – it's peculiar'

Author Audrey Niffenegger has revealed her surprise to learn about a musical based on her bestselling book The Time Traveller’s Wife, saying she knew nothing about it and describing the situation as “peculiar”

Audrey Niffenegger: 'I wasn't told about Time Traveller's musical – it's peculiar'

Author Audrey Niffenegger has revealed her surprise to learn about a musical based on her bestselling book The Time Traveller’s Wife, saying she knew nothing about it and describing the situation as “peculiar”

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Lyn Gardner: Are we brave enough to stage work that challenges young people?

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