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Richard Jordan

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Chess makes the wrong move with Broadway revival

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Margaret Hodge's Arts Council England review offers clear path forward

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Chess makes the wrong move with Broadway revival

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Richard Jordan

Richard Jordan is an award-winning UK and international theatre producer. He has been a regular contributor to The Stage since 2005. Read Richard's latest column for The Stage every Thursday.

More from this author

Chess makes the wrong move with Broadway revival

What does the return of Scott Rudin mean amid Broadway’s financial woes?

How the enduring power of theatre helped me make a new connection

Opinion

Latest
Most Read

Margaret Hodge's Arts Council England review offers clear path forward

Directing part-time is possible but it needs structure and the right support

Theatre’s power lies in how it lands, not what it means

Chess makes the wrong move with Broadway revival

Front-of-house staff deserve their share of the spotlight

OCD is much more complex than many recent plays would suggest

Chess makes the wrong move with Broadway revival

Working with celebrities isn’t always plain sailing – a stage manager’s tale

OCD is much more complex than many recent plays would suggest

Theatre’s power lies in how it lands, not what it means

Hands-on costume work is not properly valued in the creative process

It is a joy for critics to watch a company evolve

Advice

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

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Who needs drama school anyway?

by John Byrne

Applied theatre: what is it and is it the right path for you?

by Samantha Marsden

Margaret Hodge's Arts Council England review offers clear path forward

Margaret Hodge’s Arts Council England review offers protection for the arm’s-length principle and shrewd recommendations for the funding body, says Alistair Smith

ACE review: the findings in detail

From operating in a ‘more commercial way’ to devising a ‘completely new’ funding model for NPOs, Margaret Hodge’s review includes far-ranging recommendations

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