The Stage

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Current, sexy and aspirational: here’s what opera can, and should, be

Now more than ever, freelancers need a unified voice

Small sustainable changes from theatres can make a difference – RBO environmental lead

News by Hattie Fisk

La Sonnambula (The Sleepwalker) review

Reviews by Jonathan WhitingJacksons Lane Theatre, London

Royal Ballet and Opera asks staff to cover front-of-house shifts following cuts

News by Katie Chambers

Momentum for new work depends on connectivity – across the whole industry

It’s not just the big guns who can give back to the theatre community

Critics do more for theatre than generate ticket sales

Paddington is bearing more than its share of expectation on Broadway

What could the government’s freelance champions achieve in their first six months?

Theatre must urgently address inequalities, drama in schools campaign reminds us

How much is an actor’s social media presence worth?

LIFT’s English showcase could be a much-needed boost for theatre exports

Critics do more for theatre than generate ticket sales

Why do politicians think the arts are dispensable?

Five takeaways from Phantom’s 40th gala celebrations

It’s not just the big guns who can give back to the theatre community

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Small sustainable changes from theatres can make a difference – RBO environmental lead

News by Hattie Fisk

Royal Ballet and Opera asks staff to cover front-of-house shifts following cuts

News by Katie Chambers

Danielle de Niese: I won't push my children to pursue careers in the arts

News by Katie Chambers

Andrew Lloyd Webber: Labour government pays lip service to music education

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Adele Thomas

Director

Adele Thomas is co-chief executive and general director of Welsh National Opera

More from this author

Current, sexy and aspirational: here’s what opera can, and should, be

Now more than ever, freelancers need a unified voice

Opinion

Latest
Most Read

Momentum for new work depends on connectivity – across the whole industry

It’s not just the big guns who can give back to the theatre community

Critics do more for theatre than generate ticket sales

Paddington is bearing more than its share of expectation on Broadway

What could the government’s freelance champions achieve in their first six months?

Theatre must urgently address inequalities, drama in schools campaign reminds us

Critics do more for theatre than generate ticket sales

It’s not just the big guns who can give back to the theatre community

Momentum for new work depends on connectivity – across the whole industry

Paddington is bearing more than its share of expectation on Broadway

What could the government’s freelance champions achieve in their first six months?

Man vs machine: how is AI disrupting audio drama?

Advice

‘Remember why you wanted to do this’: how to get yourself drama-school ready

by John Byrne

How can I make the most of a drama school open day?

by John Byrne

‘Be freer’: theatre stars on what they wish they had known before drama school

by Holly O'Mahony

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Cloud 9 at the National Theatre – review round-up

Dominic Cooke returns to the South Bank to revive Caryl Churchill’s 1979 play, but does its impossible study of sex and gender down the ages still captivate the critics? Fergus Morgan rounds up the reviews

EdFringe increases artist registration fee for first time in two decades

The Edinburgh Festival Fringe Society has increased its registration fees for artists for the first time in 20 years

Latest Issue

The Stage Magazine - November 2026

The Stage Debut Awards 2026 The winners of the ninth annual The Stage Debut Awards revealed
The Stage: On Tour Our team travels to Birmingham
The Stage Interview Helen Edmundson, Blanche McIntyre & Anne-Marie Duff
My Favourite Play Simon Russell Beale

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