The Stage

Amadigi di Gaula review

Reviews by Clare StevensBuxton Opera House

Andy Burnham’s track record with the arts might be worth some cautious optimism

Andrew Lloyd Webber is right about Broadway – but the West End could be next

School plays are vital – they deserve support

The ‘original key’ debate misses the point

Reason not the need: government proposals threaten to quash arts degrees

Theatre’s greatest strength is that we must experience it together

Would it be a crime to kill a sacred cow to free up a West End theatre?

The ‘original key’ debate misses the point

Andrew Lloyd Webber is right about Broadway – but the West End could be next

What does Trafalgar Entertainment’s acquisition mean for the Bridge Theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

It’s action that matters for theatre freelancers and we’re starting to see some

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Opinion

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Andy Burnham’s track record with the arts might be worth some cautious optimism

Andrew Lloyd Webber is right about Broadway – but the West End could be next

School plays are vital – they deserve support

The ‘original key’ debate misses the point

Reason not the need: government proposals threaten to quash arts degrees

Theatre’s greatest strength is that we must experience it together

The ‘original key’ debate misses the point

Andrew Lloyd Webber is right about Broadway – but the West End could be next

Andy Burnham’s track record with the arts might be worth some cautious optimism

School plays are vital – they deserve support

Reason not the need: government proposals threaten to quash arts degrees

Theatre’s greatest strength is that we must experience it together

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

Zemira e Azor review

Bampton Classical Opera delivers a staging with wit and charm

Tributes paid to ‘inspirational’ actor Brenda Fricker following death aged 81

The National Theatre is among those paying tribute to Irish actor Brenda Fricker, who has died aged 81

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“Flawless account of a delicious score”

Zemira e Azor review

Reviews by Inge KjemtrupCokethorpe School, Witney

Ariadne auf Naxos review

Reviews by George HallGlyndebourne, Lewes

Northern Ballet commits to live music and protections for freelance musicians

“Cast embraces Love Island update of Handel's magic opera”

Amadigi di Gaula review

Reviews by Clare StevensBuxton Opera House

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

“Sincere commitment to the score”

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Zemira e Azor review

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“Flawless account of a delicious score”

Ariadne auf Naxos review

Reviews by George HallGlyndebourne, Lewes

Northern Ballet commits to live music and protections for freelance musicians