The Stage

News feature: how well is theatre tackling accessibility and where can it improve?

Newsby Giverny Masso

Lisa Nandy quits X citing ‘misinformation’

Avenue Q introduces hydration breaks for cast as theatres battle heatwave

Dear people in power: a letter on why the arts are an essential public infrastructure

Would it be a crime to kill a sacred cow to free up a West End theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

National touring must not be an afterthought

Why the theatre CEO role is bigger than ever before

Northern Ireland arts funding is in crisis. It’s time to speak up

Would it be a crime to kill a sacred cow to free up a West End theatre?

What does Trafalgar Entertainment’s acquisition mean for the Bridge Theatre?

A Reform UK toolkit? This one missed the mark

It’s action that matters for theatre freelancers and we’re starting to see some

When it comes to Shakespeare, it’s quality not quantity that really matters

Whisper it: did Timothée Chalamet have a point about ballet and opera?

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

When it comes to Shakespeare, it’s quality not quantity that really matters

It’s action that matters for theatre freelancers and we’re starting to see some

Whisper it: did Timothée Chalamet have a point about ballet and opera?

Opinion

Latest
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Dear people in power: a letter on why the arts are an essential public infrastructure

Would it be a crime to kill a sacred cow to free up a West End theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

National touring must not be an afterthought

Why the theatre CEO role is bigger than ever before

Northern Ireland arts funding is in crisis. It’s time to speak up

Would it be a crime to kill a sacred cow to free up a West End theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

What does Trafalgar Entertainment’s acquisition mean for the Bridge Theatre?

Dear people in power: a letter on why the arts are an essential public infrastructure

Why the theatre CEO role is bigger than ever before

It’s action that matters for theatre freelancers and we’re starting to see some

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

Venue Technician (Sound Bias)

Edinburgh Fringe 2026: the best theatre shows to see this year

The Stage’s team of critics pick their hot tips for the Edinburgh Fringe and Edinburgh International Festival, from full-scale musicals to genre-blending new work

Shortlist for first ever UK Town of Culture revealed

Ilfracombe, Pontypridd and Basildon are among the 15 towns shortlisted for the first UK Town of Culture

Latest Issue

The Stage Magazine - July 2026

The Stage Interview Danielle de Niese - Her next act
The Long Read Inside the rise of country house opera
Tony Awards 2026 All the winners from Broadway's big night
My Favourite Play Sarah Connolly

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Capital Theatres unveils associates scheme for mid-career theatremakers

News feature: how well is theatre tackling accessibility and where can it improve?

Newsby Giverny Masso

Lisa Nandy quits X citing ‘misinformation’

Avenue Q introduces hydration breaks for cast as theatres battle heatwave

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

Recommended for you

Capital Theatres unveils associates scheme for mid-career theatremakers

News feature: how well is theatre tackling accessibility and where can it improve?

Newsby Giverny Masso

Lisa Nandy quits X citing ‘misinformation’

Avenue Q introduces hydration breaks for cast as theatres battle heatwave