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Nicholas Davies

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The Arcola Theatre at 25: community, resilience and delivering in Dalston

Corey Campbell: ‘The people who stabbed me came to watch my show’

Common/Wealth on having homes in two nations and making political theatre

Till the Stars Come Down lands regional premiere at Nottingham Playhouse

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Paranormal Activity to tour UK and Ireland alongside West End run

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Sheffield Theatres launches festival of work by local talent

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Road review

Reviews by Anya RyanRoyal Exchange, Manchester

Devyani Saltzman’s Barbican exit is part of a depressing trend

Dracula's uneasy first bite is a warning not to take preview audiences for suckers

We must decolonise actor training to keep it relevant

The Barbican could learn a lesson or two from the Royal Exchange

Theatre tech companies should be run by experts, not venture capitalists

Pregnant performers can tour – and we should be supporting them to do so

Commemorating the greatest musical flop 30 years on

We need to address the risks of using amplification in theatres

Dracula's uneasy first bite is a warning not to take preview audiences for suckers

What does Ted Stimpson’s exit say about ATG?

Why are we so shy about revealing the true cost of theatre?

What does theatre’s inclusion in the China delegation say about the sector?

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Till the Stars Come Down lands regional premiere at Nottingham Playhouse

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Daniel Radcliffe, Ian McKellen and Helen Mirren to lead performing arts care home appeal

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Nicholas Davies

Nicholas Davies is a freelance writer of screenplays, novels and articles. He is based in Cardiff and previously spent 17 years working for the Arts Council of Wales covering the performing arts

More from this author

The Arcola Theatre at 25: community, resilience and delivering in Dalston

Corey Campbell: ‘The people who stabbed me came to watch my show’

Common/Wealth on having homes in two nations and making political theatre

Opinion

Latest
Most Read

Devyani Saltzman’s Barbican exit is part of a depressing trend

Dracula's uneasy first bite is a warning not to take preview audiences for suckers

We must decolonise actor training to keep it relevant

The Barbican could learn a lesson or two from the Royal Exchange

Theatre tech companies should be run by experts, not venture capitalists

Pregnant performers can tour – and we should be supporting them to do so

Dracula's uneasy first bite is a warning not to take preview audiences for suckers

We must decolonise actor training to keep it relevant

The Barbican could learn a lesson or two from the Royal Exchange

Devyani Saltzman’s Barbican exit is part of a depressing trend

Why are we so shy about revealing the true cost of theatre?

Theatre tech companies should be run by experts, not venture capitalists

Advice

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

by John Byrne

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

by John Byrne

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

Royal Albert Hall boss to helm London Culture Council

Royal Albert Hall chief executive James Ainscough has been named chair of a new London culture council uniting creative institutions with private sector bosses

Royal Albert Hall boss to helm London Culture Council

Royal Albert Hall chief executive James Ainscough has been named chair of a new London culture council uniting creative institutions with private sector bosses