The Stage

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Electric HGVs are loaded with benefits for touring theatre

The tiniest technical detail can make or break our connection to a performance

A lighting designer on how reading around can inform your art

Theatre’s greatest strength is that we must experience it together

Opinion by Lyn Gardner

Sadler’s Wells East scoops RIBA architecture award

News by Hattie Fisk

Tyne Theatre secures £500k funding boost to support £7m redevelopment plans

News by Hattie Fisk

Capital Theatres unveils associates scheme for mid-career theatremakers

News by Fergus Morgan

Theatre’s greatest strength is that we must experience it together

Dear people in power: a letter on why the arts are an essential public infrastructure

Would it be a crime to kill a sacred cow to free up a West End theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

National touring must not be an afterthought

Why the theatre CEO role is bigger than ever before

Would it be a crime to kill a sacred cow to free up a West End theatre?

What does Trafalgar Entertainment’s acquisition mean for the Bridge Theatre?

A Reform UK toolkit? This one missed the mark

It’s action that matters for theatre freelancers and we’re starting to see some

When it comes to Shakespeare, it’s quality not quantity that really matters

Whisper it: did Timothée Chalamet have a point about ballet and opera?

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Theatre’s greatest strength is that we must experience it together

Opinion by Lyn Gardner

Sadler’s Wells East scoops RIBA architecture award

News by Hattie Fisk

Tyne Theatre secures £500k funding boost to support £7m redevelopment plans

News by Hattie Fisk

Capital Theatres unveils associates scheme for mid-career theatremakers

News by Fergus Morgan

Rob Halliday

Rob Halliday is a lighting designer and programmer

More from this author

Electric HGVs are loaded with benefits for touring theatre

The tiniest technical detail can make or break our connection to a performance

A lighting designer on how reading around can inform your art

Opinion

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Most Read

Theatre’s greatest strength is that we must experience it together

Dear people in power: a letter on why the arts are an essential public infrastructure

Would it be a crime to kill a sacred cow to free up a West End theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

National touring must not be an afterthought

Why the theatre CEO role is bigger than ever before

Would it be a crime to kill a sacred cow to free up a West End theatre?

Theatre’s greatest strength is that we must experience it together

Dear people in power: a letter on why the arts are an essential public infrastructure

When it comes to Shakespeare, it’s quality not quantity that really matters

What does Trafalgar Entertainment’s acquisition mean for the Bridge Theatre?

Why the theatre CEO role is bigger than ever before

Advice

Five factors causing visa issues for theatre shows touring to the US

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Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

by John Byrne

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

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West End strikes off as Equity and SOLT negotiate three-year deal

Planned West End strikes are off the table after Equity and the Society of London Theatre reached an agreement on a three-year deal that includes ‘significant enhancements’ in terms of both pay and work-life balance

West End strikes off as Equity and SOLT negotiate three-year deal

Planned West End strikes are off the table after Equity and the Society of London Theatre reached an agreement on a three-year deal that includes ‘significant enhancements’ in terms of both pay and work-life balance