Stage Directions: Omari Douglas – 'It’s a Sin connected with many different audiences’

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Dracula's uneasy first bite is a warning not to take preview audiences for suckers

Opinion by Lyn Gardner

Producer ignites debate about West End concerts following disappointing sales

News by Katie Chambers

Barbican redundancy: Stereophonic writer and artistic directors raise ‘alarm’ in open letter

News by Katie Chambers

Cynthia Erivo in Dracula at the Noël Coward Theatre – review round-up

Review Round-Ups by Holly Williams

Opinion

Dracula's uneasy first bite is a warning not to take preview audiences for suckers

by Lyn Gardner

We must decolonise actor training to keep it relevant

by George Bukhari

The Barbican could learn a lesson or two from the Royal Exchange

by Matthew Hemley

Theatre tech companies should be run by experts, not venture capitalists

by Rob Halliday

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Jamie Muscato: ‘I was embarrassed of singing for a long time’

How George Devine’s English Stage Company paved the way for the Royal Court

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Nica Burns: Pedicab music has blighted the West End – the ban is great news

Producer and theatre owner Nica Burns has hailed a ban on pedicabs playing music, which she called a ’blight’ on the West End

Who has topped The Stage 100 2024? Last year, former culture secretary Nadine Dorries nabbed the spot, and before that, the list includes Ian McKellen, Vicky Featherstone and Sonia Friedman. But who got the top spot in 2024?

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Grappling with theatre: how wrestling is slamming its way on to our stages

While some may sneer at the melodrama of TV wrestling, two new stage shows are harnessing the potential of the form in theatre. Holly Williams meets the creators