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Sean Egan

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Theatre must learn to balance social media’s benefits and downsides

The theatre sector’s survival comes down to money – and government help

A lawyer's view on how arts charities can support freelancers during lockdown

Burlesque producers launch theatre crowdfunding platform

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ACE review: the findings in detail

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Operation Mincemeat and Barnum backed in second round of ACE touring scheme

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EdFringe artists and audiences set to contribute £6.5m via tourist levy

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Dracula's uneasy first bite is a warning not to take preview audiences for suckers

We must decolonise actor training to keep it relevant

The Barbican could learn a lesson or two from the Royal Exchange

Theatre tech companies should be run by experts, not venture capitalists

Pregnant performers can tour – and we should be supporting them to do so

Why are we so shy about revealing the true cost of theatre?

Commemorating the greatest musical flop 30 years on

We need to address the risks of using amplification in theatres

What does Ted Stimpson’s exit say about ATG?

Why are we so shy about revealing the true cost of theatre?

Dracula's uneasy first bite is a warning not to take preview audiences for suckers

Immersive theatre: 12 legal factors to consider

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Burlesque producers launch theatre crowdfunding platform

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Sean Egan

Sean Egan is an arts lawyer

More from this author

Theatre must learn to balance social media’s benefits and downsides

The theatre sector’s survival comes down to money – and government help

A lawyer's view on how arts charities can support freelancers during lockdown

Opinion

Latest
Most Read

Dracula's uneasy first bite is a warning not to take preview audiences for suckers

We must decolonise actor training to keep it relevant

The Barbican could learn a lesson or two from the Royal Exchange

Theatre tech companies should be run by experts, not venture capitalists

Pregnant performers can tour – and we should be supporting them to do so

Why are we so shy about revealing the true cost of theatre?

Dracula's uneasy first bite is a warning not to take preview audiences for suckers

We must decolonise actor training to keep it relevant

Why are we so shy about revealing the true cost of theatre?

The Barbican could learn a lesson or two from the Royal Exchange

Pregnant performers can tour – and we should be supporting them to do so

Theatre tech companies should be run by experts, not venture capitalists

Advice

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

by John Byrne

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

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Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

Till the Stars Come Down lands regional premiere at Nottingham Playhouse

Beth Steel’s wedding drama Till the Stars Come Down will be staged outside London for the first time as part of Nottingham Playhouse’s 2026 programming

Till the Stars Come Down lands regional premiere at Nottingham Playhouse

Beth Steel’s wedding drama Till the Stars Come Down will be staged outside London for the first time as part of Nottingham Playhouse’s 2026 programming